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Among the Senufo, pairs of figures representing the ancestral couple are the procession of the singzanga, "the sacred precincts of the Poro society" (Glaze 1981 in Sieber & Walker p. 28). According to Anita Glaze (1981), the pair symbolizes the civilized state of the initiate and expresses purity in the path of Poro, the way of being a proper, contributing member of society. By their economy of form, gesture and facial expression, they express an inward energy, containment and control-- a symbol of ideal behavior and civilized aspects of the world (Glaze in Sieber & Walker 1987, p.28). When placed in a position of honor at Poro association events, including funerals of members, they link the concept of ultimate origin to the concept of death-- completing the cycle (ibid.). Glaze has written that "the guardian couple watched over the site where the body will be brought for final ancestral rites and where maskers perform" (ibid. p. 29).

In the matrilineal society of the Senufo, the role of the female is considerable, thus statues of ancestral pairs often have a female larger than the male. Glaze reports the:

"dominating status of the female figure is a ...declaration ...of core Senufo social and religious concepts: the procreative, nourishing, sustaining role of both mothers and Deity;...tracing relationships and determining succession rights to title and property; and the special role of women as intermediaries with the supernatural world." (ibid.)

The secret names of the Senufo primordial couple-- the pair of original ancestors-- are "ones who give birth" or "ones who bear offspring". The couple are the ideal social unit of the reborn initiated man and woman giving reverence to the ancestral lineage of Poro graduates who have suffered for the group during their lifetime (Glaze in Sieber & Walker 1987, p. 33).

A typical couple shows a male wearing an open-worked headdress and holding a flywhisk in his hand--emblems of the Kwonro (or Kworo) age-grade of the men's Poro association. The female, in her ritual scarification and adornment, represents a fully initiated member of the Sandogo association. All men must be initiated into the Poro society, however all do not gain the specialized knowledge to achieve the highest grades. Through knowledge of genealogy and kinship and activities of divination, the women’s Sandogo society gains social control (Goldwater & Glaze in Sieber & Walker, p33). The couples used by the diviner are much smaller--averaging about six or eight inches high (ibid., p 29).The Senufo primordial couples are also referred to as "rhythm pounders." Poro initiates, strike them against the ground during stages of the funeral and other ceremonies (ibid., p33)--preparing the soul for a new existence in the kingdom of the ancestors, an essential rite of passage.

SEE MANY MORE EXAMPLES OF ANCESTRAL FIGURES AND OTHER ART OF THE SENUFO (scroll down)

FIND OUT MORE ABOUT THE SENUFO OF MALI
AND COTE D'IVOIRE

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[Discover Africa] [Reasons for Art] [Images of African Art] [Test Your Knowledge] [What is Art?] [Art of Africa] [Artists of Africa] [Art of Mali]  [Songhai Empire] [People of Mali] [Early History of Africa ] [Misconceptions Today ] [Preservation of Art] [Carvers of Mali] [Masking Societies] [Masking Today] [Weaving] [Cloth Examples] [Dogon Masks] [Dogon Ancestors] [Senufo Ancestors] [Senufo Masks] [Maternal Ancestor Figures] [History of Mali] [Sundiata] [Songhai Empire] [Discover Africa] [Bibliography

 

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