Submitted by: Michelle
Peacock, Mohave
Middle School, Scottsdale, Arizona
Unit: Matisse - collage - symbolism - Identity
Lesson: Namely Me - Matisse inspired name collage
Grade level: Middle School - upper elementary
Time: About 2 1/2 weeks

click images for larger views
Objective:
The student will refer
to the artwork of Henri Matisse to create their name with shape
and color representing their personality, applying symbolism in
the background to represent their interests.
Materials:
7 x 17 white sulphite
drawing paper
Assorted construction paper and scraps (Tru Ray or other fade
resistant paper)
8 x 18 Assorted color construction paper (mat)
10 x 20 Black Tru Ray construction paper (mat)
Assorted Scissors, glue, punch
Method:
- Read
Henri Matisse, Drawing with Scissors
- If
you are American how would you say this name: Henri
Matisse,
In
the country he was born, you would say it: Aanray Matisse, what
country was Aanray born in, everyone say Aanray Matisse.
- Play
out Matisse being in bed sick: what did he not have (cell
phone, computers, computer games, color T.V., Ipod – how
boring was that?)
- Mama:
My poor Henri, what shall I do, he is so sick.
Mom buys him a box of paints, gives it to Henri:
Here Henri a box of paints for you.
- Henri:
Thanks mom (ah mothers, I want to be a lawyer), Henri
starts painting, loves to paint, discovers:
Ah this is what I want to do, I want to become an artist.
Henri gets better.
- Henri:
Dad I’ve decided to become an artist
Dad: Henri, you
are crazy, what are you thinking, artists don’t make
money, you will starve
Henri: Dad,
I’m going to be an artist, au revoir (read select
parts of story)
- Discuss
the history of Henri Matisse, emphasize his being bed
ridden, drawing on the ceiling with charcoal at the end of a
stick, having apprentices who pay him, cut and glue his
designs.
- Fast
forward to the future, guess what, Henri is sick once
again, and once again he is lying in bed bored out of his
mind, he has stomach cancer, he has assistants who pay him
to learn from him, what is he to do?
- He
is looking at the ceiling and guess what? Yes, he sees it as a place to work.
He gets his assistants to bring a long stick, a
piece of charcoal, tape, and he begins to draw on the
ceiling (mime drawing on ceiling with stick).
- Then
he decides to cut paper with scissors.
He gets his assistants to paint huge sheets of
papers all different colors, the tells them what shapes to
cut out, and where to place them.
- He
signs his name on all the artwork.
The assistants are never acknowledged.
- Demonstrate
drawing with scissors:
what letter shall I cut out?
(students call out letters, vote) “K” cut out K
without preliminary drawing, describe cutting process.
Emphasize no use of pencil, create letter into funky
type animal/gargoyle creature with hair… kids like to
guess what it could be turning into.
Point to negative space. (Note cut any letter - be
inventive with font).
- List
your personality, things you like.
Sort them into pet peeves, favorite colors, shapes, places you
like to be in.
- Compare
them with your partner, how are you the same/different?
- Create
2 or 3 thumbnails of your unique name, using color and shape
to represent you.
- Refer
to rubric.
- Background:
Apply
symbolism to the paper cuts to represent your interests and
strong characteristics. Tip:
Apply glue to the smaller paper. Use glue sparingly Remember
elements and principles of design.
- Mount
cut paper name collage on construction paper color to
enhance design - then mount on black paper.
- Complete
self-evaluation
and reflection.
- Class
critique/discussion
Art
History:
Henri
Matisse was born as the son of a grain merchant in the Picardy
region of northern France. He studied law and worked as a law
clerk. When Henri Matisse was 21 years old he became seriously
ill. During the phase of convalescence Matisse started painting
and discovered his love for art, which should become his
life-long passion.
Two years
later, in 1892, he gave up his career as a lawyer. He attended
art classes at the Ecole des Beaux-Arts in Paris and
dabbled in different styles. He then was influenced by the
impressionist and post-impressionist painters Pisarro, Cezanne,
van Gogh, Gauguin and Paul Signac and by the paintings of W.
Turner.
Around the
year 1905 he finally found his own style characterized by
daring, bright colors executed in a broad brush stroke.
The
Master of Colors
After an
exhibition of their works in 1905 at the Salon d'Automne
the group around Matisse and Andre Derain was ironically and
pejoratively dubbed Les Fauves, which literally means The
Wild Beasts.
From 1905
to 1906 Matisse painted one of his best paintings, The Joy of
Life. It is considered to be one of the most important works
of Twenty Century art and was bought by the famous art collector
Dr. Albert C. Barnes. This painting and the whole Barnes
collection was veiled from the public for 72 years. Finally the
collection of the Barnes
Foundation was opened to the art world again in 1993 and can
be visited outside Philadelphia.
The
American writer Gertrude Stein and her brother Leo were early
collectors and supporters of Matisse paintings. Another admirer
became Pablo
Picasso with whom he exchanged paintings in 1907.
After World
War I, Matisse had gained a high reputation and was an
internationally recognized artist. In 1917 he left Paris and
settled in Nice in the South of France where he remained until
the end of his life. In 1925 he received the French Legion of
Honor award.
The
Late Years
In 1941
Matisse had an abdominal cancer surgery which had a devastating
effect on his health and ability to paint. He was unable to
stand upright in front of an easel. The artist therefore turned
to another form of artistic expression. He created paper
cut-outs in the same vivid, strong colors and daring
compositions known from his paintings. He had an assistant and
could work lying in bed or sitting comfortably in an arm-chair.
Henri
Matisse died on November 3, 1954 in Nice as an internationally
well known and highly reputable artist. He had continued
creating paper cutout works until the day of his death. Pablo
Picasso once said about the artist: "All things
considered, there is only Matisse".
Citations
"I
have always tried to hide my efforts and wished my works to have
the light joyousness of springtime, which never lets anyone
suspect the labors it has cost me."
"In
modern art, it is undoubtedly to Cezanne that I owe the
most."
"A
colorist makes his presence known even in a single charcoal
drawing."
"The essential thing is to spring
forth, to express the bolt of lightning one senses upon contact
with a thing. The function of the artist is not to translate an
observation but to express the shock of the object on his
nature; the shock, with the original reaction."
"Henri
Matisse was born in 1869, the year the Cutty Sark was
launched. The year he died, 1954, the first hydrogen bomb
exploded at Bikini Atoll. Not only did he live on, literally,
from one world into another; he lived through some of the most
traumatic political events in recorded history, the worst wars,
the greatest slaughters, the most demented rivalries of
ideology, without, it seems, turning a hair. Matisse never made
a didactic painting or signed a manifesto, and there is scarcely
one reference to a political event - let alone an expression of
political opinion - to be found anywhere in his writings.
Perhaps Matisse did suffer from fear and loathing like the rest
of us, but there is no trace of them in his work. His studio was
a world within the world: a place of equilibrium that, for sixty
continuous years, produced images of comfort, refuge, and
balanced satisfaction. Nowhere in Matisse's work does one feel a
trace of the alienation and conflict which modernism, the mirror
of our century, has so often reflected
As
a young man, having been a student of Odilon
Redon's, he had closely studied the work of Manet
and Cézanne;
a small Cézanne Bathers, which he bought in 1899, became
his talisman. Then around 1904 he got interested in the coloured
dots of Seurat's
Divisionism. Seurat was long dead by then, but Matisse became
friends with his closest follower, Paul Signac. Signac's
paintings of Saint-Tropez bay were an important influence on
Matisse's work. So, perhaps, was the painting that Signac
regarded as his masterpiece and exhibited at the Salon des Indépendants
in 1895, In the Time of Harmony, a big allegorical
composition setting forth his anarchist beliefs. The painting
shows a Utopian Arcadia of relaxation and farming by the sea,
and it may have fused with the traditional fête champétre in
Matisse's mind to produce his own awkward but important
demonstration piece, Luxe, Calme et Volupte, 1904-5.
"In
1905 Matisse went south again, to work with André Derain
in the little coastal town of Collioure. At this point, his
colour broke free
"The
other side of this coin was an intense interest in civilized
craft. Matisse loved pattern, and pattern within pattern: not
only the suave and decorative forms of his own compositions but
also the reproduction of tapestries, embroideries, silks,
striped awnings, curlicues, mottles, dots, and spots, the bright
clutter of over-furnished rooms, within the painting. In
particular he loved Islamic art, and saw a big show of it in
Munich on his way back from Moscow in 1911. Islamic pattern
offers the illusion of a completely full world, where everything
from far to near is pressed with equal urgency against the eye.
Matisse admired that, and wanted to transpose it into terms of
pure colour. One of the results was The Red Studio, 1911.
-
Text from "The
Shock of the New", by Robert Hughes
State
Standards
1AV-E1.
Choose the most appropriate media, techniques, and processes to
enhance communication of one’s own ideas and experiences
1AV-E2.
Demonstrate increasing technical ability and skill to complete
visual arts
assignments
2AV-E1.
Use subjects, themes and symbols that demonstrate knowledge of
contexts, values and aesthetics to communicate intended meaning
in their artworks
Objective:
Using
color and shape express your name to represent your personality
and character, and apply shapes and color to representing your
interests in the background, using only cut paper.
- List
your personality traits, likes, dislikes (turn paper over)
- Compare
with your partner
- Your
name has to: be
large, collaged, overlapping, made of shapes and colors
representing you, fill the page, be unique in lettering.
Have complex solutions.
- Your
background has to: have varied shapes and sizes
representing your interests, overlap,
Thumbnails

Assessment:
Rubric
25-22 Points
Paper Cut Design: Name
discernable, Fat letters, color and shapes represent
personality, background representation of interests,
overlapping, various sizes, open composition, filling the page,
breaking the negative space, my name is the emphasis.
Unique.
Technique:
Crisp clean cuts, use of color and shapes to represent
personality and interest, only construction paper, no evidence
of pencil
Craftsmanship: Quality
work, consistent, careful presentation.
I was careful and respectful of my ongoing work.
Following Directions: I
filled the page, followed directions, stayed respectfully on
task, mentored other students where needed, wrote my full name,
period, table color, and advisory teacher’s name on the back
of the artwork.
21-18 Points
Paper Cut Design: Name
discernable, Fat letters, color and shapes represent
personality, background representation of interests,
overlapping, various sizes, open composition, filling the page,
breaking most of the negative space, my name is the emphasis.
Technique:
Clean cuts, use of color and shapes to represent personality and
interest, only construction paper, no evidence of pencil
Craftsmanship: Quality
work, consistent, careful presentation.
I was careful and respectful of my ongoing work.
Following Directions: I
filled the page, followed directions, stayed respectfully on
task, mentored other students where needed, wrote my full name,
period, table color, and advisory teacher’s name on the back
of the artwork
17-14 Points
Paper Cut Design: Name
discernable, Fat letters, color and shapes represent
personality, background representation of interests,
overlapping, various sizes, filling the page, breaking most of
the negative space. Name
is large
Technique:
Clean cuts, use of color and shapes to represent personality and
interest, only construction paper. Erased pencil.
Craftsmanship: Quality
work, consistent, careful presentation.
I was careful and respectful of my ongoing work.
Following Directions: I
filled the page, followed directions, stayed respectfully on
task, mentored other students where needed, wrote my full name,
period, table color, and advisory teacher’s name on the back
of the artwork
13-10 Points
Paper Cut Design:
My name is somewhere on the paper, and it mostly has
colors and shapes that represent my personality.
You can see hints of my interest in some of the shapes
and colors in the background.
Technique:
I used the scissors to cut around the shapes, they are mostly
tidy.
Craftsmanship:
Somewhat careful presentation.
I could have spent more time oand care on my work.
Following Directions:
I could have filled the page, followed directions, stayed
respectfully on task.
I
might re-do this project on a smaller scale and consider this my
practice assignment.
Name/Period/Table
Color:_________________________________________________
- My
best part of my art work is:
- If
I were teaching this assignment I would:
3.
Complete Self-Evaluation form.
Write one number per criteria (Paper Cut Design,
Technique, Craftsmanship, Following Directions)
|
Project
Evaluation
|
25-22
|
21-18
|
17-14
|
13-10
|
|
Paper
Cut Design: Name
discernable, fat letters, colors and shapes represent
personality, background represents interests, overlapping,
various size, open composition, fills the page, breaks
negative space, name is emphasis, unique
|
|
|
|
|
|
Technique:
Crisp, clean cuts, use of color and shapes representing
personality and interest, no evidence of pencil, collaged
|
|
|
|
|
|
Craftsmanship:
Shows overall quality, consistency, and careful
presentation, I worked carefully and consistently.
|
|
|
|
|
|
Following
Directions: Did I fill the page? Did I put my name,
period, table color, advisory teacher on the back of art
work. Did I
stay respectfully on task?
|
|
|
|
|
What
grade do you think you have earned? Why?
The
overall grade I deserve is __________________________ (1-4, 1 is
the lowest)
Bibliography
Cowart,
Jack et al. Henri Matisse Paper Cut-Outs. Harry N.
Abrams, Inc., 1977, New York.
(Call #709.2)
Didato,
Salvatore, The Big Book of Personality Tests, Black Dog
& Leventhal Publishers, New York, 2003.
Johnson,
Keesia and Jane O’Connor, Henri Matisse Drawing with
Scissors, Grosset & Dunlap, New York, 2002.
http://www.artchive.com/artchive/M/matisse.html,
Henri Matisse
More
Matisse Online Resources
National Standards: (amount
covered depends on class discussion)
| 1.
Understanding and applying media, techniques, and
processes |
3.
Choosing and evaluating a range of subject matter,
symbols, and ideas |
4.
Understanding the visual arts in relation to history and
cultures |
5.
Reflecting upon and assessing the characteristics and
merits of their work and the work of others |
6.
Making connections between visual arts and other
disciplines |
| Students
select media, techniques, and processes; analyze what
makes them effective or not effective in communicating
ideas; and reflect upon the effectiveness of their choices |
Students
integrate visual, spatial, and temporal concepts with
content to communicate intended meaning in their artworks |
|
|
|
| Students
intentionally take advantage of the qualities and
characteristics of art media, techniques, and processes to
enhance communication of their experiences and ideas |
Students
use subjects, themes, and symbols that demonstrate
knowledge of contexts, values, and aesthetics that
communicate intended meaning in artworks |
|
Students
analyze contemporary and historic meanings in specific
artworks through cultural and aesthetic inquiry |
Students
describe ways in which the principles and subject matter
of other disciplines taught in the school are interrelated
with the visual arts |
| |
|
Students
analyze, describe, and demonstrate how factors of time and
place (such as climate, resources, ideas, and technology)
influence visual characteristics that give meaning and
value to a work of art |
Students
describe and compare a variety of individual responses to
their own artworks and to artworks from various eras and
cultures |
(Optional
connection to Language Arts - talk about symbolism in
literature - and write about name design) |
[MIDDLE
SCHOOL ART LESSONS] |