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Portrait Sculptures
Submitted by: Lotte Petricone,
Clarkstown
Central School District, New York
UNIT: Sculpture - Portrait/Identity - Marisol Escobar
Lesson: Portrait Sculptures
Grade Level: middle school (these are 8th grade)
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Click
images to see larger views
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Rationale
for Teaching Lesson:
Students
will create a 3-D portrait of a person they either know
personally, or to portray a social issue.
The sculpture will be made of a cardboard structure
they make, sculpey elements, and objects from home.
It must have at least 3 textures (actual or implied).
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Objectives:
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1.
Students will learn about Marisol’s art work, by comparing
ad contrasting several sculptures.
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2.
Students will learn about the sculptural technique of
assemblage/cardboard sculpture
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3.
Students will learn about the Elements of Art FORM &
TEXTURE (actual and implied)
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New
York State Learning Standards:
Standard
1:
Students will actively engage in the processes that
constitute creation and performance in the arts and
participate in various roles in the arts.
Standard
2:
Students will be knowledgeable about and make use of the
materials and resources available for participation in the
arts in various roles.
Standard
3:
Students will respond critically to a variety of works in
the arts, connecting the individual to other works and to
respond to other aspects of human endeavor and thought.
Standard
4:
Students will develop and understanding of the personal and
cultural force that shape artistic communication and how the
arts in turn shape the diverse cultures of past and present
society.
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How
the Standards are addressed in this lesson:
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Standard
1: Use the Elements and Principles of Art to communicate a
specific meaning through a sculptural portrait.
Know and use resources for developing and conveying
specific ideas from text.
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Standard
2: Develop skill using the medium of cardboard sculpture,
and various materials to make a work of art that
communicates something about a person.
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Standard
3: Reflect on their work in writing using the language of
criticism.
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Standard
4: Understand how the artist Marisol works and gets her
ideas, and how culture influenced her. |
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Do
Now(s):
1.
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Procedures/Segments:
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Materials:
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1.
Slide Discussion of Marisol’s work – focus on how the
artist communicates in a 3-D portrait using visual clues,
and how the sculptures might be made, what materials are
used. (1 class)
Intro
to project: 3-D Portraits of someone they know – can be
personally or a public figure.
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PowerPoint
presentation of Marisol’s sculpture, examples
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2.
Demo how to make main cardboard structure – Cutting,
safety. (Approx. 3 classes)
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Cardboard,
asst. recycled containers, masking tape, Elmer’s glue, big
scissors, x-acto knives
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3.
Rubric - Go over criteria (1 class)
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PP
images, Xeroxes of Rubric.
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4.
Demo making faces from cut cardboard shapes. (1-2 classes)
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Wire,
newspaper, masking tape, wire cutters
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5.
Demo how to make arms and legs (Approx. 3 classes)
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Cardboard,
scissors, Elmer’s glue
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6.
Add a paper mache layer and/or plaster layer – some may
want to add celluclay prior to this point (Approx. 3
classes)
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Paper
mache glue, plaster strips, newsprint
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7.
Add details to sculpture: textures and features with
celluclay, how to use a glue gun to attach objects, Sculpey
techniques to make objects and features. (Approx. 3 classes)
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Celluclay,
glue gun, Sculpey, texture plates, construction paper,
drawing materials (color pencils, drawing pencils, crayons),
yarn/string, fabric, paint
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8.
Color faces with drawing media, drawing of clothes, and any
details they may want to add. Use gel medium to add on
pictures. (Approx. 3 classes)
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drawing
materials (color pencils, drawing pencils, crayons, oil
pastels)
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9.
Rubric/Reflection (1 class or at home)
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Reflection
questions
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Segment
1: Slide Discussion of
Marisol’s Sculptures (1 class)
Teaching
Style:
GUIDED
PRACTICE. Show
sculptures, focusing on how the artist communicates in a 3-D
portrait, materials used, how they are made.
Introduce project.
Show example. Refer back to Marisol’s art.
CLOSURE:
What are some visual clues Marisol used to make a portrait?
What should be included when you make a portrait?
Assessment
Method: Verbal
Modifications:
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Segment
2: Demo – Main cardboard
structure. (Approx. 3 classes)
Teaching
Style:
GUIDED
PRACTICE. Demo
how to make the main cardboard sculpture:
1.
Take a pre-cut strip and either score it to make a
rectangular form, or roll it gently to make a round form.
Use Elmer’s glue in the seam, and tape it securely.
2.
Trace the end pieces, and then cut out using either a
scissor or xacto knife. Cut inside the line.
It may need to be trimmed to make it fit.
Tape to hold it securely.
3.
DISCUSS SAFETY!!!
How to use the knife, sign it out, make sure it is
returned.
IND
PRACTICE. Students begin to make the forms.
CLOSURE:
Review the procedure for
Assessment
Method:
Modifications:
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Segment
3: Rubric (1 class)
Teaching
Style:
GUIDED
PRACTICE. Rubric
– go over criteria.
IND
PRACTICE: Continue to work on main sculpture.
CLOSURE:
What are some of the things we have to remember to make an
excellent sculpture?
Assessment
Method: Verbal
Modifications:
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Segment
4: Demo making faces from
cut cardboard shapes. (1-2 classes)
Teaching
Style:
GUIDED
PRACTICE. Demo
– cut shapes from corrugated cardboard to make feature of
the face and glue down with Elmer’s glue.
As an alternative, celluclay can be used to make the
features.
IND
PRACTICE: Students make faces, and attach to the body.
CLOSURE:
Describe the process to make the face, and alternatives.
Assessment
Method: Verbal
Modifications:
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Segment
5: Arms and/or legs
(approx. 3 classes)
Teaching
Style:
GUIDED
PRACTICE: Demo how to make wire wrapped arms/legs.
1.
Cut
a piece of wire about three inches longer than you think you
need.
2.
Take
two pieces of newspaper and open them.
Fold diagonally. Start from the small point of the
triangle, and roll to cover the wire.
Fold the ends down and tape.
Twist into position, and tape firmly to the body.
3.
Alternative
– both arms and legs can also be made from pieces of wood,
boxes, or cardboard.
INDIVIDUAL
PRACTICE. Students add arms and legs to sculptures.
CLOSURE:
Review choices for arms/legs.
Review procedure for wrapped wire.
Assessment
Method: Verbal
Modifications
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Segment
6: Add paper maiche and/or
plaster layer
Teaching
Style:
GUIDED
PRACTICE: Demo Paper Mache layer - Dip strips of newsprint
into glue, slide fingers over to make it thinner, and apply
a thin layer. Make
sure paper overlaps. For arms holding sculpey or heavy
objects, add a layer of plaster over the joints.
INDIVIDUAL
PRACTICE: Students continue to work on sculptures.
CLOSURE:
What do you need to remember when adding the paper mache
layer? When
would you need to add plaster?
Assessment
Method: Verbal
Modifications:
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Segment
7: Add details to
sculpture: textures and features with Celluclay,
how to use a glue gun to attach objects, Sculpey
techniques to make objects and features. (Approx. 3 classes) Celluclay,
how to use a glue gun to attach objects, Sculpey
techniques to make objects and features. (Approx. 3 classes)
Teaching
Style:
GUIDED
PRACTICE: Demo
celluclay. Demo
glue gun – safety! Use for adding objects or wood
features.
IND
PRACTICE. Students continue to work on sculptures.
CLOSURE:
Review safety!
Assessment
Method:
Modifications:
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Segment
8: Color faces with drawing media, drawing of clothes, and
any details they may want to add. Use gel medium to add on
pictures. (Approx. 3 classes)
Teaching
Style:
GUIDED
PRACTICE: Add
emphasis to features with various drawing media: pencils,
colored pencils, crayons, oil pastels, watercolor.
IND
PRACTICE. Students continue to work on sculptures.
CLOSURE:
Assessment
Method:
Modifications:
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Segment
7: Drawings of
faces
Teaching
Style:
GUIDED
PRACTICE: Demo
face drawing – use proportion guidelines.
Discuss caricatures, and it not being real.
Students can use a photo if they want. Discuss color pencil and blending color.
INDEPENDENT
PRACTICE: Students continue to work on sculptures.
CLOSING:
What are the proportions of the face?
Assessment
Method:
Modifications:
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Segment
8: Make
structure for faces, use gel medium to glue them on
Teaching
Style:
GUIDED
PRACTICE: Use corrugated cardboard to create a neck and
support for the cutout face.
Trace the face and cut out of corrugated cardboard.
Cut a rectangular strip from corrugated cardboard.
Bend the strip and hot glue it to the body. Glue the face on the cardboard and hot glue that to the
neck.
Assessment
Method: Written reflection and rubric
Modifications::
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Segment
9:
Reflection/ Rubric
9:
Reflection/ Rubric
Teaching
Style:
GUIDED
PRACTICE: Go
over directions for reflection and rubric.
IND
PRACTICE. Students write a draft of the reflection in class
and type at home.
CLOSURE:
Discuss answers.
Assessment
Method: Written reflection/Rubric
Modifications: |
Segment
9:
Written reflection/Rubric
Teaching
Style: GUIDED/INDEPENDENT
PRACTICE
1.
Introduce
the reflection. Students
are by now familiar with the process.
The reflection is written in an essay format,
answering specific questions about the project.
2.
Grade
work using the rubric(s) – check off the boxes, give
yourself a number grade for both project and process.
3.
Put
your folder together with the art on top, then the
reflection, then the rubric, and then put it back into the
table folder.
Assessment
Method: Written reflection and rubric
Modifications
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Assessment:
Student Reflection
Name:
Reflections
Eighth Grade Portrait
Sculptures
The
reflection is an essay, written with complete sentences, excellent
grammar and spelling. A
paragraph is 5-7 sentences, with lots of details.
The questions below must be answered and it must be typed
for it to be complete.
- Does
your sculpture have a title?
If so, put it at the top of the reflection.
- Describe
the art project you just finished: what you wanted to
communicate about the person you made a portrait of, what art
we looked at, what you made/wrote, what materials you used….
- Describe
what you enjoyed the most and the least about this project.
- Describe
one thing new that you learned when making this art.
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If
you were to do this art project again, what is one thing that
you might change to make it even more successful?
Resources:
Marisol
Escobar (Venezuelan Sculptor, Born 1930)
Marisol Escobar Venezuelan Sculptor, Born 1930.
From the permanent collection of Art Museum of the Americas. Site
has a biography, writing by the artist, sculptures and works on
paper. (Look up past exhibits - artists)
Sculptures
of C.
Jagdish
- born in Hyderabad, India in 1956 More
sculpture
Paper
Mache links
National
Standards (standard six could be emphasized if cultural influences
are brought in more - Pre-Columbian influences for Marisol -
social studies - plus math for figure proportion
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