Submitted by: Linda Smith, St.
George's School, Spokane, Washington
UNIT: Paper Sculpture - Mask making
Lesson: White-On-White
Sculptural Faces
Grade Level: Middle School (suitable for grade 4 and up)

click images for larger views |
Materials:
White tag board or
card stock
Xacto knives
Scissors
Glue
Pencil
Old magazines
Sketchbooks
Note:
Students also made animal faces. |
Objectives:
-
Students will explore
a variety of paper sculpting methods and create a white on
white mask form.
-
Students will be aware
of several different forms of relief sculpture and a variety
of masks
-
Students will create a
relief face showing personal identity, animal totem or
cultural mask - write reflection about the piece.
Related Lesson: Paper
Relief by Barbara Felsecker Paper
Sculpture links
Peter
Callesen - see
more examples fo Callesen's work
Instruction/Motivation:
-
Optional: Present a
variety of relief sculpture via PowerPoint. Various cultural
masks can be shown. Discuss different types of masks and
reasons for masks (See Linda's note)
-
Present examples of
paper engineering (Robert Sabuda books are a good choice).
-
Demonstrate a variety
of paper sculpture techniques.
Procedure:
1. The students are
introduced to paper engineering by viewing samples of pop-up books
and cards, and paper sculpture. A discussion of how they think
some of these art forms were created follows as well as an
introduction to the career of a paper engineer. We discuss how
some paper sculpting methods do not require any glue. The students
are typically amazed at the new forms a simple piece of paper can
take.
2. Experimentation with
cutting and manipulating paper follows. They are given an Xacto
knife and paper and use an old magazine as a cutting surface.
After a safety demonstration on using the knife, they are shown a
few simple techniques such as scoring and slotting. They are given
time to record as many different methods that they can think of.
Time is given for practice and sharing results. Fringing, curling,
bending, slotting, creasing, and weaving are just a few of the
methods they think of. They are told that they may use these
methods and any combination of, or any new methods learned along
the way.
3. Their challenge is to
create a white on white cut paper mask-like form. Students are
encouraged to sketch out their plans ahead of time though they may
change their direction along the way. They are encouraged to
browse the reference files for ideas. Generally, students
brainstorm their ideas in three or four thumbnail sketches. Note:
Because of the emphasis on cutting and paper engineering, I
only briefly discuss mask making of other cultures as I feel that
they have enough to absorb with the project at hand. One could
certainly add to this lesson and integrate a study of mask making.
4. Students are given
guidelines such as: no pencil lines
should be visible, paper should be cut, not torn, glue
should not be visible, etc. The finished forms may be of any size
though this is a project that we complete in three, 45 minute
lessons: one day to introduce and practice, and the two days to
create their forms.
5. Mount finished forms on
black paper or black poster board for display.
6. Student critique (and
further discussion on mask making if time permits).
Write reflection piece about the mask/face form.
Evaluation/Assessment:
We create a class
generated rubric which we use for self evaluation. I typically
choose five or six areas of emphasis and create a rubric
accordingly.
Sample Rubric (adapted
from Rubric by Marianne Galyk)
|
Assessment Rubric
|
|
Student Name:
|
Class Period:
|
|
Assignment:
White
on White Paper Relief Face
|
Date Completed:
|
|
Circle the
number in pencil that
best shows how well you feel that you completed that
criterion for the assignment.
|
Excellent
|
Good
|
Average
|
Needs
Improve-
ment
|
Rate
Yourself
|
Rating
|
|
Criteria 1 – Planning sketches for
face (minimum of three sketches)
|
10
|
9 – 8
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7
|
6 or less
|
|
|
|
Criteria 2 – Over all design - use
of design principles - appealing design
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria 3 – Variety of paper
sculpture techniques - nice relief elements
|
10
|
9 – 8
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7
|
6 or less
|
|
|
|
Criteria 4 – Effort: took time to
develop idea & complete project? (Didn’t rush.) Good
use of class time?
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria 5 – Craftsmanship – Neat, clean & complete? Skillful use of the
art tools & media?
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Total:
50
X 2 =
100 possible
|
Grade:
|
|
|
|
|
Your Total
|
Teacher Total
|
Student
Comments:
Teacher
Comments:
National Standards: (Standards
4, 5, 6 are brought in with discussions on mask making -
connection to social studies, music and dance)
| 1.
Understanding and applying media, techniques, and
processes |
2.
Using knowledge of structures and functions |
3.
Choosing and evaluating a range of subject matter,
symbols, and ideas |
4.
Understanding the visual arts in relation to history and
cultures
(optional)
|
5.
Reflecting upon and assessing the characteristics and
merits of their work and the work of others
(optional)
|
6.
Making connections between visual arts and other
disciplines
(optional)
|
| Students
select media, techniques, and processes; analyze what
makes them effective or not effective in communicating
ideas; and reflect upon the effectiveness of their choices |
Students
generalize about the effects of visual structures and
functions and reflect upon these effects in their own work |
Students
integrate visual, spatial, and temporal concepts with
content to communicate intended meaning in their artworks |
Students
know and compare the characteristics of artworks in
various eras and cultures |
Students
compare multiple purposes for creating works of art
|
Students
compare the characteristics of works in two or more art
forms that share similar subject matter, historical
periods, or cultural context |
| Students
intentionally take advantage of the qualities and
characteristics of art media, techniques, and processes to
enhance communication of their experiences and ideas |
Students
employ organizational structures and analyze what makes
them effective or not effective in the communication of
ideas |
Students
use subjects, themes, and symbols that demonstrate
knowledge of contexts, values, and aesthetics that
communicate intended meaning in artworks |
Students
describe and place a variety of art objects in historical
and cultural contexts |
Students
analyze contemporary and historic meanings in specific
artworks through cultural and aesthetic inquiry |
Students
describe ways in which the principles and subject matter
of other disciplines taught in the school are interrelated
with the visual arts |
| |
Students
select and use the qualities of structures and functions
of art to improve communication of their ideas |
|
|
Students
describe and compare a variety of individual responses to
their own artworks and to artworks from various eras and
cultures |
|
|