1)
What is the major objective or goal for the student learner?
To transform a discarded
book into a creative art work of art that encompasses a theme and
utilizes a variety of media and techniques.
2)
What are the criteria for the artwork? See rubric (attached) can be adapted for use K-12 with as few or as many resources available
3)
What Arts standard(s) and/or benchmark(s) does the lesson
support? How?
Content Standard: Understanding and
applying media, techniques, and processes-the lesson requires students to select and use
a variety of media and techniques to accomplish the goal of creating the
themed book
Content Standard: Choosing and
evaluating a range of subject matter,
symbols, and ideas-students
must develop and apply an assortment of symbols and ideas to represent
the chosen theme
Content Standard: Reflecting upon
and assessing the characteristics and merits of their work and the work
of others –students
will compare and contrast works using the Venn diagram as well as
critiques and self
assessment including a reflective statement
Content Standard: Making
connections between visual arts and other disciplines
AND Content Standard: Understanding the visual arts in relation
to history and cultures –
these two standards can be met if the theme, for example, is based on
particular culture or cultural comparison or a unit on poetry,
environments or other content area
4) What other curriculum
content areas does the lesson support? How? connections
include:
language arts, history, social studies, science and math. Theme can be
based on particular time period, culture, person, place, event, or
concept (e.g. Ancient Rome, solar system, poetry, etc)
5) What was your inspiration
for this lesson plan? I
was looking for an alternative art form for students to experience that
could incorporate a variety of media and techniques into one successful
project. The school was in
the process of discarding old math textbooks this summer which got me
thinking……………
6) What assessment strategies do you use to assess
student learning? informal
critiques, rubric (attached),
compare/contrast works using Venn Diagram (attached)
Your teaching? brainstorming,
incremental introduction of techniques and media, presentation of other
artist’s work in this style, demonstration
An outline follows with the step by step process of
the art lesson and please include a list of materials and resources
needed to teach the lesson.
Steps to AMAZING Altered
Books (geared for Middle School but adaptable for all grade
levels and subjects as well as for a wide range of available resources)
vocabulary:
form, function, sculpture,
three-dimensional, mixed media altered, theme, others related to
specific content areas that might be used as themes
- Introduce
the students to the art form using images, background/history and
information from the resource section of this handout including form
versus function.
- Using
the Venn diagram have students compare and contrast two of the works
to help them discriminate and graph their findings.
- Make
a media chart (see materials list) to use as reference.
- Have
students select discarded books based on size, title or form.
- To
ease students into the process, have them trace their hand on the
inside cover of their book. It may extend into the title page of the
book (tip from art teacher Michael Austin).
- Fill
the traced hand with patterns.
- The
remaining portion of the page is painted with tempera paint.
- Demonstrate
the tape transfer technique (see below).
Students should transfer their name using this technique and
add it to the painted page.
- Have
students decide on a theme. This
can be done by
- students
writing ideas on slips of paper (places, events, objects, etc) and
then randomly drawing one to use
- based
on particular unit of study (Ancient civilizations, poetry, ecology,
constitution, etc)
- using
one of the traits of character education (tolerance, commitment,
responsibility, respect, etc)
- exploring
a social issue such as poverty, homelessness, free speech, clear
cutting, etc
- visually
tell the story in the book
- visually
tell a story that they create
- other
means
- Students
should block (glue) individual pages together into four groups (size
is determined by the number of pages in the individual book).
If the book is thick enough, a section can be glued to the
back cover to create a place to cut a niche.
Other sections may be done this way also.
- Introduce
the idea that one of the sections (two open facing pages) should be
done using collage techniques including the concepts of contrast and
positive/negative space.
- Brainstorm
how this could be accomplished
- Magazine
collage of images of the object or subject
- Cut
paper collaged to illustrate the object or subject
- Collage
of magazine images of the object or subject in the shape of the
object or subject
- Introduce
the second section to be completed to be completed in watercolor
crayon. Demonstrate
techniques including masking out text (see below).
- After
these sections have been finished as a class, brainstorm and
introduce other ideas to be included (see list below).
Provide examples and demonstrations.
- Give
the students a list of general possibilities.
From these they must choose 3 to include in their book.
- Every
opportunity should be taken to reinforce the idea of exploring the
theme rather than just illustrating it.
For example: a student using the them of “coffee” could
do a watercolor of a woman in a housecoat drinking an early morning
coffee with the paper or on the run of a hectic morning or a crowded
scene at the coffee shop……not just a painting of a coffee cup!
- Informal
critiques should take place throughout the process as well as small
group and individual demonstrations, reteaching and brainstorming.
- Final
class critique when the project is completed.
- Students
should decide how to best display their Altered Book and include a
label with pertinent information including the “Artist’s
Statement”.
- Rubric
(attached) is used for scoring which also includes self scoring,
teacher scoring and an opportunity for students to write a personal,
reflective “Artist’s Statement”.
SOME SUGGESTED SUPPLIES
*Books! Various shapes,
sizes and titles
hole punches, scissors, X-acto
knives
stamps and stamp pads
gloss medium
scissors,
craft knives
glue and glue sticks
assorted
papers – handmade, vellum
repositionable
glue
snaps,
hooks, wire, screws, brads
crayons
stickers,
contact paper
oil pastels
wallpaper
scraps
watercolors,
gesso, acrylic paint
fabric
pieces
markers
ribbon, lace
Pearl Ex powder
collage
items – dog tags, charms, game pieces, buttons
Xeroxed
copies of images for transfers
colorless
blender pens or Citrasolv for transfers
*use one of
the pages for samples/test media - make a media chart: glue page to
black card stock, make lines vertically and horizontally down the page,
label each and use for reference
*Copyright
notice: To
follow the letter of the law, choose hardcover books that are in
the public domain or ones with no copyright renewal. How
do you know if books are in public domain? How
do I know if copyright has expired? Also consider, What are
the chances of a copyright holder finding out you altered a book? and
What are the chances they would want to do something about it? You
decide. If in doubt, write to the copyright holder/publisher for
permission. Since you are an educator, you probably will not get a
response. Your use in the classroom would fall under Fair Use. However, an
artist who wants to display his/her work will need to consider this. See
advice by Eliza Badurina - Online Art Magazine
Here
is a brief history of Altered Books courtesy of ISABA:
Altered books is an art form in which existing
books are reworked into works of art, often manifests in a variety of ways. The existing book becomes
the canvas for the new ideas and images. Sometimes words or images from
the book are retained as a part of the altering. At other times it is
the books is entirely obscured to become a new idea totally.
Altered
books are actually an old way of recycling. In the 11th Century Italian
monks recycled old manuscripts written on vellum by scraping off the ink
and adding new text and illustrations on top of the old. This was known
as "Palimpsest."
In
the late 19th century people used old books as a sort of scrapbook,
pasting on its pages the ephemera from their society including magazine
images, personal recipes, and family pictures. This is
"Grangerism", a Victorian practice of illustrating a
particular book with engravings torn from other books.
Today artists are exploring the form of the book
along with its substance. Existing images and text become something
entirely new. Tom Phillips' Humament is one of the first contemporary
examples of this art. By covering, cutting, and changing the structure,
altered books run the gamut from books that have become shrines to books
that are transformed into colorful images totally unrelated to their
origins. Source: Michal Austin,
K-12 Kansas Art Teacher
SOME
FORMATS
Round Robin
- books are passed
to different individuals, each alters a section; choose a theme (i.e.
Cats, landscapes), let artists be inspired by text, or just transform as
they desire
Book
as Theme – develop
the book to reflect the theme of the book or create artworks throughout
the book that reflects the storyline
Tell
a Story – create
images through the book to tell a new story
Book
as Art – use
the book as the form/base for individual art not related to the book
Word(s)
Inspired –
block out word(s) from selected text to highlight visually in single or
multiple sections
Found
Poetry – use words on the
page to make up a poem
SOME
IDEAS
·
Rub
linseed oil over a copy of an image or pattern (like small dotted
wrapping paper). Glue w/acrylic medium over another colored image. Great
translucent play on images/patterns.
·
Take
tissue paper and coat it twice with matte medium. Let dry. paint dried
tissue with transparent paints or inks. Let dry and resulting paper
looks like stained glass.
·
Make
silk paper with silk fibers meshed between two screens (like the type
for windows) and then coat with wallpaper paste on both sides. Hang to
dry on clothesline still between the mesh.
·
Encase
an image or object in tissue or rice paper and use in window (like
glass).
·
Glue
down a strong image or print pattern -like a block print. Crumble rice
paper and spot acrylic medium on back and place glue side down over
image. Dry. Paint a light acrylic wash over rice paper and the medium
acts like a resist so the result is a staining. Dry. Wash second color
over parts of rice paper.
·
Wash
acrylic glaze (acrylic paint + matte medium) color over semi-transparent
tracing paper. Dry. Glue paper over an image or part of an image. You
can still see a hazy image through the color. Like looking through the
world in rose or green or canary yellow glasses.
·
Layer
coat one side of tissue paper with acrylic medium. Lay over images. Coat
top with medium. Tissue is very transparent.
·
Crumple
tissue paper. Drip dye-based inks or watercolors onto papers and shift
papers so ink runs in crevasses. Dry them coat then coat with gloss or
matte medium.
·
After
you lay images down, coat papers with three to five different colored
acrylic washes. (acrylic paint plus medium) Use your color sense as you
lay the washes down. This isn't a huge film laid over the whole picture.
Let dry between washes. When finished seal color with matte or gloss
varnish. Light plays with the glazes and art seems to glow.
·
Use
gold leaf or gold oil crayons on work. Seal with acrylic medium, then
proceed with washes and paint. Scratch through washes and glazes with
sharp object and the shine form the leaf will come through.
·
Take
a colored copy or regular Xerox copy and coat five times with gloss
medium. Let dry between coats. Let whole thing dry overnight. Next
morning gently rub paper off back of image and you have a film of your
picture or image. You can glue this down, you can transfer this image to
your picture by applying matte medium over back (paper-side) of image
and let set up, then peel (looks like a photo transfer) or you can do
this on fabric by coating image five times then gluing the last image to
the fabric with the medium. Next day rub paper off back of image that is
glued on fabric and seal.
Source
for above http://www.littlebit.com/ab/abtodo.html
site has other hints and tips
·
Tape
Transfer - Choose a picture or letters from a magazine. Carefully place
the image on clear packing tape, image facing the sticky side. Wet
thoroughly, allowing water to saturate the paper. Carefully rub away the
paper, leaving only the ink on the tape. The tape will remain sticky and
can be placed directly on your project.
·
Cut
letters from scrap paper. Coat
letter backs with repositionable glue, place on page.
Paint page, let dry. Carefully removes masks.
·
Mask
some words from the text, use correction tape or removable masking tape.
Decorate as desired with paint, glaze, ink and then remove the tape
·
Marble
or monoprint pages
·
Glue
thick sections of pages together. Use
craft knife to cut windows or niche.
·
Fold,
cut and tear pages
·
Cut
images and glue down to pages mosaic style
·
Use
envelopes or make pockets for things in the book
·
Burn
the edges of the pages
·
Punch
holes and paint behind them or glue vellum or colored tissue over them
·
Use
paper clay on a page and stamp a design into it for a 3-D effect
·
Make
slits on the page and create a weaving with paper or ribbon
·
And
the list goes on and on and on!!!!
See
how to add a pop-up box - from Laurie Gatlin
Altered
Book Ideas from Michaels' Arts and Crafts Store
Collage
techniques - from Creativity Portal - 7 pages of ideas and
resources
How-to's
on background papers and more http://karenswhimsy.com/play/
RESOURCES
(note links were active at time of publication of this
lesson)
Examples of
Linda's
students work
www.rrms.wlwv.k12.or.us/kielingL/Artindex.htm
See
Linda Kieling's pages
Navigate to 8th grade, then Altered Books
International
Society of Altered Book Artists
http://www.alteredbookartists.com/
http://www.d-originals.com/
has the following books as well as others:
Altered
Books 101 by Beth Cote & Cindy Pestka
Altered Book
Special Effects by Laurie Goodson & Betsy McLoughlin
Altered Book
Material Guide by Laurie Goodson, Betsy McLoughlin & Susan
Pickering Rothamel
Getting
Started in Altered Style by Suzanne McNeill
Middle
school student examples http://www.geocities.com/theartkids/
Article by
Suzanne Hill http://www.suite101.com/article.cfm/7131/91378
Lisa
Vollrath "how to" articles - answers to many
questions. You must now register to access the articles. Lisa has many CD's with images - very affordable - see
offerings
from Two-Ten Studios
Altered
Book Techniques http://www.jenminnis.com/Techniques_Book.html
Creativity
Portal -Altered Books - How to Tutorials and more
Reversing
Vandalism http://sfpl.lib.ca.us/news/onlineexhibits/rv/
project which
would allow artists to use damaged books to create new works of arts.
Karen's
Whimsy Public Domain Images Scans by Karen Hatzigeorgiou -
engravings and other artwork from a personal collection of old books,
magazines, and post cards. Updated regularly. See her
artwork - altered books and collage
Artists
Beth Cote http://www.alteredbook.com/index.html
Books, CDs, videos - lots of copyright free images.
Ingrid Dijkers
http://www.ingriddijkers.com/main.html
Eliece Edge - blog http://by-my-hand.blogspot.com/
Karen Hatzigeorgiou - Karen's
Whimsy http://karenswhimsy.com/
Teesha Moore http://www.teeshamoore.com/gallery.htm
Book Arts Web http://www.philobiblon.com/
Aileen
Roberts
http://www.outsidethemargins.com/ab.html
Working with children
http://www.outsidethemargins.com/kidsab.html
Article on working with children
http://www.outsidethemargins.com/kidsabarticle.html
"Spirit
Books" by Susan Kapuscinski Gaylord
- amazing books using special handmade papers and nature
Boston
Book Arts
- many artists listed
OTHER SITES
Altered
Books Images http://www.kindredkids.com/Gallery/AlteredBook/index.htm
http://www.rubberstampsclub.com/tips/book-making.html
http://bellsouthpwp.net/d/r/drv1913/0204.html
http://www.yasutomo.com/project/June99.htm
http://members.optushome.com.au/j9/techniques/book.html
http://www.sdmart.org/education-plans.html