1)
What is the major objective or goal for the student learner?
To transform a discarded
book into a creative art work of art that encompasses a theme and
utilizes a variety of media and techniques.
2)
What are the criteria for the artwork? See rubric (attached) can be adapted for use K-12 with as few or as many resources available
3)
What Arts standard(s) and/or benchmark(s) does the lesson
support? How?
Content Standard: Understanding and
applying media, techniques, and processes-the lesson requires students to select and use
a variety of media and techniques to accomplish the goal of creating the
themed book
Content Standard: Choosing and
evaluating a range of subject matter,
symbols, and ideas-students
must develop and apply an assortment of symbols and ideas to represent
the chosen theme
Content Standard: Reflecting upon
and assessing the characteristics and merits of their work and the work
of others –students
will compare and contrast works using the Venn diagram as well as
critiques and self
assessment including a reflective statement
Content Standard: Making
connections between visual arts and other disciplines
AND Content Standard: Understanding the visual arts in relation
to history and cultures –
these two standards can be met if the theme, for example, is based on
particular culture or cultural comparison or a unit on poetry,
environments or other content area
4) What other curriculum
content areas does the lesson support? How? connections
include:
language arts, history, social studies, science and math. Theme can be
based on particular time period, culture, person, place, event, or
concept (e.g. Ancient Rome, solar system, poetry, etc)
5) What was your inspiration
for this lesson plan? I
was looking for an alternative art form for students to experience that
could incorporate a variety of media and techniques into one successful
project. The school was in
the process of discarding old math textbooks this summer which got me
thinking……………
6) What assessment strategies do you use to assess
student learning? informal
critiques, rubric (attached),
compare/contrast works using Venn Diagram (attached)
Your teaching? brainstorming,
incremental introduction of techniques and media, presentation of other
artist’s work in this style, demonstration
An outline follows with the step by step process of
the art lesson and please include a list of materials and resources
needed to teach the lesson.
Steps to AMAZING Altered
Books (geared for Middle School but adaptable for all grade
levels and subjects as well as for a wide range of available resources)
vocabulary:
form, function, sculpture,
three-dimensional, mixed media altered, theme, others related to
specific content areas that might be used as themes
- Introduce
the students to the art form using images, background/history and
information from the resource section of this handout including form
versus function.
- Using
the Venn diagram have students compare and contrast two of the works
to help them discriminate and graph their findings.
- Make
a media chart (see materials list) to use as reference.
- Have
students select discarded books based on size, title or form.
- To
ease students into the process, have them trace their hand on the
inside cover of their book. It may extend into the title page of the
book (tip from art teacher Michael Austin).
- Fill
the traced hand with patterns.
- The
remaining portion of the page is painted with tempera paint.
- Demonstrate
the tape transfer technique (see below).
Students should transfer their name using this technique and
add it to the painted page.
- Have
students decide on a theme. This
can be done by
- students
writing ideas on slips of paper (places, events, objects, etc) and
then randomly drawing one to use
- based
on particular unit of study (Ancient civilizations, poetry, ecology,
constitution, etc)
- using
one of the traits of character education (tolerance, commitment,
responsibility, respect, etc)
- exploring
a social issue such as poverty, homelessness, free speech, clear
cutting, etc
- visually
tell the story in the book
- visually
tell a story that they create
- other
means
- Students
should block (glue) individual pages together into four groups (size
is determined by the number of pages in the individual book).
If the book is thick enough, a section can be glued to the
back cover to create a place to cut a niche.
Other sections may be done this way also.
- Introduce
the idea that one of the sections (two open facing pages) should be
done using collage techniques including the concepts of contrast and
positive/negative space.
- Brainstorm
how this could be accomplished
- Magazine
collage of images of the object or subject
- Cut
paper collaged to illustrate the object or subject
- Collage
of magazine images of the object or subject in the shape of the
object or subject
- Introduce
the second section to be completed to be completed in watercolor
crayon. Demonstrate
techniques including masking out text (see below).
- After
these sections have been finished as a class, brainstorm and
introduce other ideas to be included (see list below).
Provide examples and demonstrations.
- Give
the students a list of general possibilities.
From these they must choose 3 to include in their book.
- Every
opportunity should be taken to reinforce the idea of exploring the
theme rather than just illustrating it.
For example: a student using the them of “coffee” could
do a watercolor of a woman in a housecoat drinking an early morning
coffee with the paper or on the run of a hectic morning or a crowded
scene at the coffee shop……not just a painting of a coffee cup!
- Informal
critiques should take place throughout the process as well as small
group and individual demonstrations, reteaching and brainstorming.
- Final
class critique when the project is completed.
- Students
should decide how to best display their Altered Book and include a
label with pertinent information including the “Artist’s
Statement”.
- Rubric
(attached) is used for scoring which also includes self scoring,
teacher scoring and an opportunity for students to write a personal,
reflective “Artist’s Statement”.
SOME SUGGESTED SUPPLIES
*Books! Various shapes,
sizes and titles
hole punches, scissors, X-acto
knives
stamps and stamp pads
gloss medium
scissors,
craft knives
glue and glue sticks
assorted
papers – handmade, vellum
repositionable
glue
snaps,
hooks, wire, screws, brads
crayons
stickers,
contact paper
oil pastels
wallpaper
scraps
watercolors,
gesso, acrylic paint
fabric
pieces
markers
ribbon, lace
Pearl Ex powder
collage
items – dog tags, charms, game pieces, buttons
Xeroxed
copies of images for transfers
colorless
blender pens or Citrasolv for transfers
*use one of
the pages for samples/test media - make a media chart: glue page to
black card stock, make lines vertically and horizontally down the page,
label each and use for reference
*Copyright
notice: To
follow the letter of the law, choose hardcover books that are in
the public domain or ones with no copyright renewal. How
do you know if books are in public domain? How
do I know if copyright has expired? Also consider, What are
the chances of a copyright holder finding out you altered a book? and
What are the chances they would want to do something about it? You
decide. If in doubt, write to the copyright holder/publisher for
permission. Since you are an educator, you probably will not get a
response. Your use in the classroom would fall under Fair Use. However, an
artist who wants to display his/her work will need to consider this. See
advice by Eliza Badurina - Online Art Magazine
Here
is a brief history of Altered Books courtesy of ISABA:
Altered books is an art form in which existing
books are reworked into works of art, often manifests in a variety of ways. The existing book becomes
the canvas for the new ideas and images. Sometimes words or images from
the book are retained as a part of the altering. At other times it is
the books is entirely obscured to become a new idea totally.
Altered
books are actually an old way of recycling. In the 11th Century Italian
monks recycled old manuscripts written on vellum by scraping off the ink
and adding new text and illustrations on top of the old. This was known
as "Palimpsest."
In
the late 19th century people used old books as a sort of scrapbook,
pasting on its pages the ephemera from their society including magazine
images, personal recipes, and family pictures. This is
"Grangerism", a Victorian practice of illustrating a
particular book with engravings torn from other books.
Today artists are exploring the form of the book
along with its substance. Existing images and text become something
entirely new. Tom Phillips' Humament is one of the first contemporary
examples of this art. By covering, cutting, and changing the structure,
altered books run the gamut from books that have become shrines to books
that are transformed into colorful images totally unrelated to their
origins. Source: Michal Austin,
K-12 Kansas Art Teacher
SOME
FORMATS
Round Robin
- books are passed
to different individuals, each alters a section; choose a theme (i.e.
Cats, landscapes), let artists be inspired by text, or just transform as
they desire
Book
as Theme – develop
the book to reflect the theme of the book or create artworks throughout
the book that reflects the storyline
Tell
a Story – create
images through the book to tell a new story
Book
as Art – use
the book as the form/base for individual art not related to the book
Word(s)
Inspired –
block out word(s) from selected text to highlight visually in single or
multiple sections
Found
Poetry – use words on the
page to make up a poem
SOME
IDEAS
·
Rub
linseed oil over a copy of an image or pattern (like small dotted
wrapping paper). Glue w/acrylic medium over another colored image. Great
translucent play on images/patterns.
·
Take
tissue paper and coat it twice with matte medium. Let dry. paint dried
tissue with transparent paints or inks. Let dry and resulting paper
looks like stained glass.
·
Make
silk paper with silk fibers meshed between two screens (like the type
for windows) and then coat with wallpaper paste on both sides. Hang to
dry on clothesline still between the mesh.
·
Encase
an image or object in tissue or rice paper and use in window (like
glass).
·
Glue
down a strong image or print pattern -like a block print. Crumble rice
paper and spot acrylic medium on back and place glue side down over
image. Dry. Paint a light acrylic wash over rice paper and the medium
acts like a resist so the result is a staining. Dry. Wash second color
over parts of rice paper.
·
Wash
acrylic glaze (acrylic paint + matte medium) color over semi-transparent
tracing paper. Dry. Glue paper over an image or part of an image. You
can still see a hazy image through the color. Like looking through the
world in rose or green or canary yellow glasses.
·
Layer
coat one side of tissue paper with acrylic medium. Lay over images. Coat
top with medium. Tissue is very transparent.
·
Crumple
tissue paper. Drip dye-based inks or watercolors onto papers and shift
papers so ink runs in crevasses. Dry them coat then coat with gloss or
matte medium.
·
After
you lay images down, coat papers with three to five different colored
acrylic washes. (acrylic paint plus medium) Use your color sense as you
lay the washes down. This isn't a huge film laid over the whole picture.
Let dry between washes. When finished seal color with matte or gloss
varnish. Light plays with the glazes and art seems to glow.
·
Use
gold leaf or gold oil crayons on work. Seal with acrylic medium, then
proceed with washes and paint. Scratch through washes and glazes with
sharp object and the shine form the leaf will come through.
·
Take
a colored copy or regular Xerox copy and coat five times with gloss
medium. Let dry between coats. Let whole thing dry overnight. Next
morning gently rub paper off back of image and you have a film of your
picture or image. You can glue this down, you can transfer this image to
your picture by applying matte medium over back (paper-side) of image
and let set up, then peel (looks like a photo transfer) or you can do
this on fabric by coating image five times then gluing the last image to
the fabric with the medium. Next day rub paper off back of image that is
glued on fabric and seal.
Source
for above http://www.littlebit.com/ab/abtodo.html
site has other hints and tips
·
Tape
Transfer - Choose a picture or letters from a magazine. Carefully place
the image on clear packing tape, image facing the sticky side. Wet
thoroughly, allowing water to saturate the paper. Carefully rub away the
paper, leaving only the ink on the tape. The tape will remain sticky and
can be placed directly on your project.
·
Cut
letters from scrap paper. Coat
letter backs with repositionable glue, place on page.
Paint page, let dry. Carefully removes masks.
·
Mask
some words from the text, use correction tape or removable masking tape.
Decorate as desired with paint, glaze, ink and then remove the tape
·
Marble
or monoprint pages
·
Glue
thick sections of pages together. Use
craft knife to cut windows or niche.
·
Fold,
cut and tear pages
·
Cut
images and glue down to pages mosaic style
·
Use
envelopes or make pockets for things in the book
·
Burn
the edges of the pages
·
Punch
holes and paint behind them or glue vellum or colored tissue over them
·
Use
paper clay on a page and stamp a design into it for a 3-D effect
·
Make
slits on the page and create a weaving with paper or ribbon
·
And
the list goes on and on and on!!!!
See
how to add a pop-up box - from Laurie Gatlin
Altered
Book Ideas from Michaels' Arts and Crafts Store
Collage
techniques - from Creativity Portal - 7 pages of ideas and
resources
How-to's
on background papers and more http://karenswhimsy.com/play/
RESOURCES
(note links were active at time of publication of this
lesson)
Examples of
Linda's
students work
www.rrms.wlwv.k12.or.us/kielingL/Artindex.htm
See
Linda Kieling's pages
Navigate to 8th grade, then Altered Books
International
Society of Altered Book Artists
http://www.alteredbookartists.com/
http://www.d-originals.com/
has the following books as well as others:
Altered
Books 101 by Beth Cote & Cindy Pestka
Altered Book
Special Effects by Laurie Goodson & Betsy McLoughlin
Altered Book
Material Guide by Laurie Goodson, Betsy McLoughlin & Susan
Pickering Rothamel
Getting
Started in Altered Style by Suzanne McNeill
Middle
school student examples http://www.geocities.com/theartkids/
Article by
Suzanne Hill http://www.suite101.com/article.cfm/7131/91378
Lisa
Vollrath "how to" articles - answers to many
questions. You must now register to access the articles. Lisa has many CD's with images - very affordable - see
offerings
from Two-Ten Studios
Altered
Book Techniques http://www.jenminnis.com/Techniques_Book.html
Creativity
Portal -Altered Books - How to Tutorials and more
Reversing
Vandalism http://sfpl.lib.ca.us/news/onlineexhibits/rv/
project which
would allow artists to use damaged books to create new works of arts.
Karen's
Whimsy Public Domain Images Scans by Karen Hatzigeorgiou -
engravings and other artwork from a personal collection of old books,
magazines, and post cards. Updated regularly. See her
artwork - altered books and collage
Artists
Beth Cote http://www.alteredbook.com/index.html
Books, CDs, videos - lots of copyright free images.
Ingrid Dijkers
http://www.ingriddijkers.com/main.html
Eliece Edge - blog http://by-my-hand.blogspot.com/
Karen Hatzigeorgiou - Karen's
Whimsy http://karenswhimsy.com/
Teesha Moore http://www.teeshamoore.com/gallery.htm
Book Arts Web http://www.philobiblon.com/
Aileen
Roberts
http://www.outsidethemargins.com/ab.html
Working with children
http://www.outsidethemargins.com/kidsab.html
Article on working with children
http://www.outsidethemargins.com/kidsabarticle.html
"Spirit
Books" by Susan Kapuscinski Gaylord
- amazing books using special handmade papers and nature
Boston
Book Arts
- many artists listed
OTHER SITES
Altered
Books Images http://www.kindredkids.com/Gallery/AlteredBook/index.htm
http://www.rubberstampsclub.com/tips/book-making.html
http://bellsouthpwp.net/d/r/drv1913/0204.html
http://www.yasutomo.com/project/June99.htm
http://members.optushome.com.au/j9/techniques/book.html
http://www.sdmart.org/education-plans.html
Art-e-Zine
- Images from
http://www.art-e-zine.co.uk/alteredbook.html
Vintage Resources (more images available if you make a donation):
http://www.art-e-zine.co.uk/vintageresources.html
Digital Stamps - made using PhotoShop: http://www.art-e-zine.co.uk/stampps.html
Work by Gillian Allen - author of Digital Stamps: http://www.art-e-zine.co.uk/gillianallen.html
Image Transfers - various methods - step by step http://www.art-e-zine.co.uk/image.html
Listing of more topics (scroll down): http://www.art-e-zine.co.uk/newstuff.html
Also check out site contents:
http://www.art-e-zine.co.uk/contents.html
Collage art - assemblage - altered books- more
Nicholas
Jones - Sculptural Altered Books
How
to Make Image Transfers
Various
methods of transferring images:
Here is method
in detail using gloss medium:
Using
another brand of gloss medium:
Additional methods:
Easy photocopy transfer tip using
blender marker pen:
Bookbinding
History Links (below)
The
Artists' Book Collection - The Kohler Art Library at University of
Wisconsin-Madison presents this illustrated database that indexes roughly
760 titles from its collection of over 800 artists' books.
ASSESSMENT:
ALTERED
BOOK PROJECT
Overall Score____________
Name
_____________________ Period ___________
CRITERIA
that MUST be INCLUDED
1st
page: hand with design, tape transfer
one
section: collage of theme
one
section: watercolor crayons
OPTIONAL
forms (must include at least three)
cut
holes or niches
other drawing media (colored pencil, crayons, etc)
stamping –traditional or bleach
tags or envelopes
specialty papers
found objects
wire embellishments
sculpey or papier
mache clay items
beadwork
wire, brads, staples or other ways to secure pages
tags
or envelopes
decoratively cut pages or page edges
paint,
with or without masking text
folded
or torn pages or edges
**student circle
each area accomplished in pencil/teacher circle in pen**
|
|
NOT YET MEETS
|
MEETS EXPECTATIONS
|
EXCEEDS EXPECTATIONS
|
|
CRITERIA
|
required
elements are not evident
|
only
the required elements are present
|
the
required elements and additional elements are used
|
|
CREATIVITY
|
few
or no attempts to use original ideas is apparent
|
some
efforts to use new ideas is shown but not developed fully
|
numerous
experiments striving to be creative
are present
|
|
THEME
|
the
theme is unclear or not evident
|
the
theme is thoughtful and understandable through most of the book
|
the
theme is thoughtful and obvious
throughout the entire book
|
|
CRAFTSMANSHIP
|
the
book is sloppy, messy, torn or otherwise not well taken care of
|
the
book is basically well crafted with a few areas that are distracting
|
the
book is extremely well crafted and has no areas of distraction
|
Suggestions:
From Bunki Kramer -
I have a system that works well for us. We spend at least 2 week's
worth of
making all kinds of decorated papers to use for decorating our pages for
later. There are numerous ways to do this...credit card scraping,
spouncing,
paste papers, dry-brush painting, etc. You can find many techniques on the
internet just by going to "decorated papers". Only after we have
a good
supply to use, we will start our books.
From San D Hesselman
- What worked for me was that I had each student take a
book and 'establish' a strong theme on the cover, and the end sheets. They
then put the books on the
bookshelf. Then when kids are finished early with their "other"
work, they go over to the bookshelf, pick up one of the books other than
their own, and produce a piece of work on a double page spread based on
the established theme. By the end of the year, each student should have a
book with their classmates responses to their designated themes.
From Ellen Burnside:
I did altered books with 8th
graders last year. I collaborated with the English teacher who was
teaching poetry writing. The students brought their poems to art class and
each page in the altered book was based on a different poem (about 10-12
for each student). I think it's important to establish some sort of theme
or idea for the books.
Artist’s
Statement:
Suggestions for Elementary
from Aileen Roberts Outside the
Margins
I teach abs to kids ages 9 to 12 and a separate class
to teenagers....this is not for a specific class such as science, English
etc. where we are including them into a particular subject matter.
What I have learned is its best to use board books with the younger age
group because they have quicker self gratification for them...the regular
books tend to get overwhelming to them in a short time.
One way I like to start is to have them brain storm themes first and write
down ideas they could include in that specific theme....so say they come
up with Dogs, Dreams and Ocean, they can write down their ideas for each
one and typically the theme that they end up coming up with the most ideas
is what they usually choose.
This process helps gets their creative juices flowing and with the help of
others adding their thoughts as well they end up with ideas they might not
have thought of. This ends up being a map of sorts for them to begin
with.
I don't advise just letting them go without picking a theme at that age
because they tend to get stumped and side tracked.
We use a lot of paper techniques on the board books.
Each week I introduce a new technique and they work on that centered
around their theme (we only meet once a week).
Here's some pictures from a past class:
http://www.outsidethemargins.com/kidsab.html
Below is a past article I wrote for the ISABA Newsletter:
http://www.outsidethemargins.com/kidsabarticle.html
Aileen Roberts
Outside The Margins
http://www.outsidethemargins.com
Bookbinding
History Links:
Historical
Bookbinding Models: http://booklab.bookways.com/models
There was Coptic binding, which is an open binding from around 400 AD in
Ethiopia. The covers were from wood or metal, rigid materials, which the
Coptic binding allows.
Links
page on Incredible Art Resources
http://www.princetonol.com/groups/iad/lessons/middle/paper.htm
Links
provided by Dan Cherney:
Lists of books on the art and craft of bookmaking and
its history:
http://www.philobiblon.com/isitabook/bibhistory.html
A very useful book!
Brassington, W. Salt, A History of the Art of Bookbinding (New York:
Macmillan and Co.; London: Elliot Stock, 1894). *R-*ITE.
Nice Timeline:
http://www.xs4all.nl/~knops/timetab.html
Great paper-making and bookmaking Webquest:
http://curry.edschool.virginia.edu/go/edis771/webquests2001sp/spamelagandee/
The Center for Book Arts:
http://www.xs4all.nl/~knops/index3.html
"Yet there is some evidence that the complex codex structure may have
existed earlier than generally assumed in the framework of the writing
tablet story. The evidence is cut in stone, on the steles from Neo-Hittite
Empire, dating from the 8th or 7th century B.C. It was Berthe van
Regemorter
(Scriptorium, 12, 1958, p. 177-181) who drew attention to this earliest
evidence for the codex, suggesting that ink and brush were used for
writing
and a sophisticated sewing structure and board attachment employed for
binding (Fig.). Her observations received limited attention, and were even
dismissed, for example by Roberts and Skeat in a note (loc. cit., p. 11):
"For representations of wooden writing-tablets in Neo-Hittite reliefs
...
see B. van Regemorter, Scriptorum, 12, 1958, pp. 177 ff."
For more detailed (and very scholarly information on bookbinding (as we
know
it), see:
http://palimpsest.stanford.edu/byorg/abbey/an/an15/an15-4/an15-407.html
The final fact is that no one really knows the earliest bookbinding
because
the examples have rotted. The Ones that we DO HAVE, have been preserved
because they held high religious significance and thus were protected by
the
church. The history of paper in China might possibly have early examples
of
book binding somewhere within the early period of scrolls, but even many
of
these records have turned to dust over time.
Submitted by Lotte
Petrocone, Felix Festa
Middle School West Nyack, NY.
UNIT: Recycling - Book as Art
Lesson: Altered Books
Grade Level: Middle School
click images to see larger views
|
Rationale
for Teaching Lesson:
Students
will transform a discarded book into a creative work of art that
encompasses a theme and utilizes a variety of media and techniques.
|
Lesson
Objectives:
|
|
1.
Students will learn about altered books as a form of art.
|
|
2.
Students will create an altered book around a theme of their own
choosing.
|
|
3.
Students will use a variety of materials to create the books:
collage, paint, and two of their own choosing.
|
|
4.
Students will use the some or all of the Elements of Art to
communicate their theme: Form, Color, Line, Shape, Space, Value,
Texture.
|
|
New
York State Learning Standards:
Standard
1:
Students will actively engage in the processes that constitute
creation and performance in the arts and participate in various
roles in the arts.
Standard
2:
Students will be knowledgeable about and make use of the materials
and resources available for participation in the arts in various
roles.
Standard
3:
Students will respond critically to a variety of works in the arts,
connecting the individual to other works and to respond to other
aspects of human endeavor and thought.
Standard
4:
Students will develop and understanding of the personal and cultural
force that shape artistic communication and how the arts in turn
shape the diverse cultures of past and present society.
|
How
the Standards are addressed in this lesson:
|
|
#1
Students will create an altered book around a theme of their own
choosing.
|
|
#2
Students select and use a variety of media and techniques to
accomplish the goal of creating the themed book.
|
|
#3
Students will compare and contrast altered books, as well as written
reflection and self assessment.
|
|
#4
Students will look at a variety of "altered" art - and
books through time (book shrines, jeweled books) - as well as a
variety of contemporary artists altered books.
|
|
Lesson
Procedures:
Lesson
Segments:
|
Resources
listed above
Materials:
|
|
1.
Introduction
to the history and art form of altered books using PP.
Make a Media Chart to use as reference for ideas once they
are working. (1 class)
|
PP
presentation of altered books.
|
|
2.
Have
students’ select a discarded book to begin, have students trace
their hand onto the cover of the book.
It may extend into the title page of the book.
Fill with Patterns/Textures, and paint around it. (1 classes)
|
Discarded
books of various shapes and titles.
|
|
3.
Go
over rubric, using PP of student samples. (1 class)
|
PP
of student exemplars, xeroxes of rubric.
|
|
4.
Demo
of the Letter Transfer Technique.
Students cut and prepare to transfer letters. (1 classes)
|
Magazines,
packing tape, scissors, deep plates for water to soak.
|
|
5.
Transfer
letters. Decide on
theme – discuss various possibilities – reference student
samples from PP. (2 classes)
|
List
of possibilities of themes.
|
|
6.
Block
pages together into four sections using glue. Introduce ideas for each section – there must be at least
one collage and one painted section, the other two are choice. Demo
techniques for collage, using concepts of contrast and
positive/negative space. Work on collage pages. (2-3 classes)
|
Elmer’s
Glue, Various collage materials – papers, fabrics, magazines,
etc., glue, gloss medium, scissors.
|
|
7.
Demo
techniques for painting, including masking out text. Work on
painting pages. (2-3 classes)
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Acrylic,
tempera, watercolor paint, brushes, water containers.
|
|
8.
Brainstorm
variety of other choices for pages – refer to Media List, look
back at examples. Reinforce
idea of exploring theme rather than just illustrating it. (5
classes)
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X-acto
knives, hole punches, assorted papers, ribbon, lace, fabric,
objects, Xerox copies for transfers, Citrsolve or colorless blenders
for transfers, glue, glue sticks, gesso, markers.
|
|
9.
Artist
Statement, grade using rubric. (1 class)
|
Xeroxes
of Artist Statement, extra rubrics.
|
| Segment
1: OBJ - SWBAT understand the history of altered books and discuss
some samples.
Do
Now: Describe what you think an “Altered book” might be.
Teacher
Input: Discussion of altered books and their history using
open-ended questions and PP presentation.
Teaching
Style:
Guided Practice– Using PP, discuss examples of altered
books, and the history as an art form. Make a Media List of the materials seen in the samples
using large paper.
Ind Practice –
HW:
Closing:
What is an altered book? What
can you do with a discarded book?
Assessment
Method: Verbal
Modifications:
|
Segment
2: OBJ - SWBAT select a discarded book to work with and begin to
alter the cover.
Do
Now: Define
-
Pattern
-
Texture
Teacher
Input: Have students select a book to alter. Demo tracing hand onto
cover of book, and discuss filling with patterns ad textures.
Teaching
Style:
Guided Practice– Choose a book – decide based on size,
shape and content. Once
you have it, trace around you hand in pencil.
Think about how you want it to be: What message might it send
to a viewer straight up or down, or fingers spread wide?
Play with the composition before you trace.
This will be filled with patterns and textures – define
both with the students, and demo on a book.
Discuss media choices to make cover.
Tell them to leave space for their name which we will do as a
tape transfer.
Ind Practice – Students choose books and trace hands, and
begin to fill it with a pattern.
Closing:
Define Pattern, Texture. What
kinds of choices did the students make in positioning the hand, why?
If time – what kinds of themes did the books make them think of
– they have a few days to think about it, but some students might
already have ideas.
Assessment
Method: Verbal
Modifications:
|
|
Segment
3: OBJ - SWBAT understand the criteria of the altered books project.
Do
Now: List what you think would be important to evaluate this
project.
Teacher
Input: List criteria from rubric, then using student samples in PP,
go over rubric.
Teaching
Style:
Guided Practice– List criteria from rubric, then using
student samples in PP, go over rubric.
Ind Practice – If time, students continue to work on hands.
Closing:
What are the criteria which will be used to grade the altered book?
Assessment
Method: Verbal
Modifications:
|
Segment
4: OBJ - SWBAT cut letters of their name and prepare them for tape
transfer.
Do
Now: Write down what you already know about “tape transfer”, or
what you know about Silly Putty.
Teacher
Input: Demo of tape transfer of letters of names.
Teaching
Style:
Guided Practice– Demo of tape transfer:
-
Cut letters of name, colored letters work best.
-
Place letters face up and in order.
-
Place a piece of packing tape over the letters.
-
Put the tape with the letters in a tray of water, soak
overnight.
-
Tomorrow, remove the tape from water, and gently rub the
magazine paper off the back, leaving the ink of the letters.
-
Let dry, trim if desired, then press the tape with the
letters onto a page in your book.
-
Gently burnish the tape so that it blends into the rest of
the page.
Ind Practice – Students make a tape transfer of their name.
During waiting time, they are finishing their hand on the
cover.
Closing:
Describe the process of tape transfer.
Assessment
Method: Verbal
|
|
Segment
5: OBJ - SWBAT explore the possibilities of a theme and decide on
one for the altered book.
Do
Now: Write down three ideas for a theme for your book: places,
events, objects.
Teacher
Input: Brainstorm themes with the students.
Teaching
Style:
Guided Practice–
To
choose a theme, discuss different ways to choose one:
-
Using the Do Now, take the ideas, and write them on three separate
pieces of paper, and randomly choose on.
-
Explore a social issue – poverty, homelessness, free speech,
politics, etc.
-
Use a trait of character education: tolerance, commitment,
responsibility, respect, etc.
-
Visually tell another story or a poem
-
Visually tell the story of the book
-
Use some of the words of the text to create a different meaning.
Use
a PP to show examples of some of these, both students and artists
Ind Practice – Students choose a theme, write it down, and
hand it in at the end of class.
Closing:
Share chosen themes from written papers.
Assessment
Method: Verbal
Modifications:
|
Segment
6: OBJ - SWBAT glue together sections of the book, and begin the
first.
Do
Now: Define “collage”. How
have you made collages in the past?
Teacher
Input: Demo of gluing together pages, and collage techniques.
Teaching
Style:
Guided Practice– Define collage, then demo:
- Glue together 3 sections of the book using Elmer’s Glue.
If the book is thick enough, a section can be glued to the
back cover to create a place to cut a niche which can be used for
three dimensional work.
- A section is two open facing pages. One section (it can be
any one of the four) should be collage. Demo/discuss contrast and
positive / negative space. Discuss
different was to make collages – cut/torn paper, using magazine
images cut up to form others, or magazine images whole, or combine
any technique.
Ind Practice – Students begin gluing sections together,
then begin collages, and work on them for 2-3 classes.
Closing:
What are the different artist choices you have for the collage?
(what
section, and above choices)
Assessment
Method: Verbal
Modifications:
|
|
Segment
7: OBJ - SWBAT begin painting a section of the altered book.
Do
Now: Describe the different kinds of paint you have used.
Teacher
Input: Discussion of paints and their qualities, and demo, including
masking the text to reveal some of the existing words.
Teaching
Style:
Guided Practice– Demo
various painting ideas:
-
Acrylic washes – add medium to acrylic paint
-
Masking techniques
-
Gold oil crayons, seal with acrylic medium, proceed with acrylic
washes and paint. Scratch
through washes and shine from gold leaf comes through
Ind Practice – Students
use one or more techniques to paint an image in the altered book.
(2-3 classes)
Closing:
Assessment
Method: Verbal
Modifications:
|
Segment
8: OBJ - SWBAT state the choices for the last section of the book.
Do
Now: What other choices do you have for the other section you need
to do?
Teacher
Input: brainstorm and list artist choices for the other section.
Teaching
Style:
Guided Practice– See list of choices, demo, and discuss
ways to create the last section of the book.
Ind Practice – Students work on the other section (3-5
classes)
Closing:
What are some artist choices you have for the lat section?
What are your choices?
Assessment
Method: Verbal
Modifications:
|
|
Segment
9: OBJ – SWBAT reflect on their work in an Artist Statement, and
grade it using the rubric.
Do
Now: What is an Artist Statement?
Teacher
Input: Review what an Artist Statement is, and how it might be used,
and how to grade the art using the rubric.
Teaching
Style:
Guided Practice– Review what an Artist Statement is, what
the questions are, how they should be answered (written form), how
it might be used by artist and viewer, and how to grade the art
using the rubric.
Ind Practice – Students write Artist Statement in class,
and type it for HW. The
art should be graded using the rubric.
HW:
Type the Artist Statement.
Closing:
Share responses and books.
Assessment
Method: Verbal
Modifications:
|
Extension:
Make a sculpture base to display the book - Or make a "shrine
box" (see Medieval books)
|
Assessment (Rubric)
8th
Grade Altered Books Rubric
Name:
Homeroom:
A book has been altered about a theme
of the artist’s choice: the cover or title page, and three different
sections.
Technique Grade
|
|
Excellent
20
|
Good
17
|
Adequate
14
|
Unsatisfactory
12
|
Score
|
|
Hand
|
Hand with at least 5 different patterns and textures drawn in very
neatly – no lines cross each other unintentionally
|
Hand with at least 4 different
patterns and textures drawn in pretty neatly – and/or lines may
cross each other unintentionally in one or two spots
|
Hand with at least 3 different
patterns and textures drawn in pretty neatly – and/or lines may
cross each other unintentionally in some spots
|
Hand with at least 2 different
patterns and textures drawn in pretty neatly – and/or lines may
cross each other unintentionally in many spots
|
|
|
Tape Transfer
|
Tape transfer of letters of your name has been done successfully – all
the letters can be clearly seen against the background
|
Tape transfer of letters of your
name has been done pretty successfully – most the letters can be
clearly seen against the background
|
Tape transfer of letters of your
name has been done somewhat successfully – but some of the letters
can’t be clearly seen against the background
|
Tape transfer of letters of your
name has not been done successfully – many of the letters can’t
be clearly seen against the background
|
|
|
Collage of Theme
|
The shapes are very neatly cut out or torn everywhere and the gluing is
very neat, and all the edges are down
|
The shapes are pretty neatly cut out
or torn everywhere and/or the gluing is pretty neat, and most of
the edges are down
|
The shapes are somewhat neatly cut
out or torn everywhere – there may be a few rough spots and/or the
gluing is somewhat neat, but a few of
the edges are up
|
The shapes are somewhat messily cut
out or torn in many places and/or the gluing is messy with many of
the edges up
|
|
|
Acrylic Painting
|
The acrylic painting uses mixed colors and values, and tries a some
different techniques: dry brush, washes with medium, flat color
|
The acrylic painting uses mostly
mixed colors and values, and tries a few different techniques: dry
brush, washes with medium, flat color
|
The acrylic painting uses some mixed
colors and values, but there may be a few unmixed straight from the
tube and/or tries only 1-2 different techniques: dry brush, washes
with medium, flat color
|
The acrylic painting uses only a few
mixed colors and values, and there are several unmixed straight from
the tube and/or tries only 1 techniques:
dry brush, washes with medium, flat color
|
|
|
Artist Choice
|
The artist has chosen an “experimental” technique for the third
section which is different from the first two, or combines one with
a new technique
|
The artist has chosen an
“experimental” technique for the third section but it may be
somewhat similar to one of them or combines one with a new technique
|
The artist has chosen an
“experimental” technique for the third section but it may be
very similar to one of them -
you almost can’t tell the difference
|
The third section of the book
repeats a technique from a previous section
|
|
|
|
|
|
|
Grade:
|
|
Theme and
Craftsmanship Grade
|
|
Excellent
50
|
Good
43
|
Adequate
37
|
Unsatisfactory
32
|
Score
|
|
Theme
|
The theme is thoughtful and obvious throughout the entire book
|
The theme is thoughtful and
understandable throughout most of the book, but there may be a
question somewhere
|
The theme is understandable
throughout most of the book, but there may be some questions
|
The theme is unclear or not evident
|
|
|
Craftsmanship
|
The book is extremely well crafted in all sections and
there are no areas of distraction
|
The book is very well crafted but
there may be 1 or 2 areas of distraction where the work is messy or
sloppy
|
The book is basically well crafted
but there may be a few areas of distraction where the work is messy
or sloppy
|
The book is sloppy, messy, torn or
otherwise carelessly put together
|
|
|
|
|
|
|
|
|
National
Standards
| 1.
Understanding and applying media, techniques, and processes |
2. Using
knowledge of structures and functions |
3.
Choosing and evaluating a range of subject matter, symbols, and
ideas |
4.
Understanding the visual arts in relation to history and cultures |
5.
Reflecting upon and assessing the characteristics and merits of
their work and the work of others |
| Students
select media, techniques, and processes; analyze what makes them
effective or not effective in communicating ideas; and reflect
upon the effectiveness of their choices |
Students
generalize about the effects of visual structures and functions
and reflect upon these effects in their own work |
Students
integrate visual, spatial, and temporal concepts with content to
communicate intended meaning in their artworks |
Students
know and compare the characteristics of artworks in various eras
and cultures |
Students
analyze contemporary and historic meanings in specific artworks
through cultural and aesthetic inquiry |
| Students
intentionally take advantage of the qualities and characteristics
of art media, techniques, and processes to enhance communication
of their experiences and ideas |
Students
select and use the qualities of structures and functions of art to
improve communication of their ideas |
Students
use subjects, themes, and symbols that demonstrate knowledge of
contexts, values, and aesthetics that communicate intended meaning
in artworks |
|
Students
describe and compare a variety of individual responses to their
own artworks and to artworks from various eras and cultures |
Note:
National Standard 6 could be addressed if this included writing down with
language arts classes
Class
Exchange - Altered Book - Cultural Sharing
Book:
Look at Book
This is a sketchbook that was
exchanged between four artists - two in Brooklyn and two in Belfast.
I can see this inspiring an altered book exchange between two teachers. One
in USA - one over seas. This is how I think it might work.....
Each teacher begin with one book for the exchange. Each student do one
spread in the book - leave the next spread blank for the exchange student to
do - reflecting/responding to the art on the preceding page. Students of
course would be working on their OWN altered books at the same time. They
would do a technique/idea in the exchange book that worked out well in their
own. The theme for the exchange could be something general - Culture -
identity.
Once each student has done a page in the books - they would be mailed for
the exchange. Each student would do a spread and books (a response to the
spread before it) would be returned.
The teachers would photograph all of the pages that have been done in their
home base book and create a PowerPoint for each student (PowerPoint could be
shown looping during your art show - and be made available for interested
students). The actual book would be kept by the teacher - OR could be
auctioned? Of course each student would have their own personal altered book
as well. This book exchange project would stretch out through out the year,
I assume - so a work station/center would be set up for students to do the
exchange altered book.
If anyone tries this, let me know (Judy Decker - email on home page). I bet
you could get a mini grant? Include some email exchanges as well to learn
about the students/culture of your exchange project. There were some
interested in trying Round Robins between schools. I think having only two
mailings and only two books would be doable.
[MIDDLE
SCHOOL LESSONS] [HIGH SCHOOL
LESSONS]
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