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Lesson
by: Judy Decker
Unit: Sculpture- Art of Mexico
Project: Paper Mache Alebrijes (Whimsical animals)
Grade:
Seventh (suitable
grades 4 thru 7)
Elementary
Adaptation below (source of images unknown)
Found Objects Sculpture by Mary Bolyard
Resources:
Video: Oaxacan Woodcarving: Innovation Meets
Tradition (from Crizmac Art and
Cultural Education Materials)
Book: Oaxacan Woodcarving: The Magic in the Trees by Shepard
Barbash (from Crizmac)
Internet
Resources: Art of Mexico http://www.princetonol.com/groups/iad/lessons/middle/mexico.htm
Alebrijes
- Oaxacan Woodcarving - El Caracol Zapoteca fine Oaxacan
Woodcarving Gallery. These are some of the finest examples I have seen.
Beautiful details - nice close up views. Educational site (as well as
commercial). This gallery does give art teachers permission to use images
provided you send them email first. If you want only a few - Fair Use
guidelines are permitted.
LaFuente
Imports has excellent images - all sorts of animals, birds, plants -
more!
Crizmac has a nice selection of hand carved Oaxacan animals to purchase for
your classroom.
Paper Maché Artist Links
Electronic
Biologica Centrali-Americana
- original 58 volumes of this remarkable work of natural history were
created and composed during the 19th century in an effort to identify,
categorize, and document the flora and fauna of Meso-America. Good source
for pictures of animals, lizards, birds and more from the region.
Crystal Productions
now has a Peggy Flores Video - Papier-Mâché Sculpture - on how to
make these. It sounds like she has made them exactly like this lesson. 25
minute video.
Some background information
The
Zapotec Indians of the Oaxaca Valley in the southern Mexican State of
Oaxaca (pronounced Wah Ha Kah) are the artists of a unique and intriguing
art form. The beautiful valley was the site of a very advanced
civilization about 2000 years ago, evidenced by the ruins of Monte Alban
and Mitla.
The
woodworking techniques and artistic capacity of the Zapotec people have
been refined over generations. Carved from the Copal Tree when the wood is
green, this art comes from the three villages--Arrazola, San Martin
Tilcajete and La Union Tejalapan in the State of Oaxaca. Full of movement
and humor, the figures spring from the imaginations and superstitions of
the carvers, for whom myth and magic are as much a part of daily life as
conventional religion. The wooden sculptures are hand carved then hand
sanded and hand painted in their characteristically bright colors.
Traditionally, the men are the carvers--the carving is done during the
"off" season for farming. Many
times, the entire family participates in the creation of the carvings. The
women are often the painters of the decorative figures.
Objectives: Students will
- Gain appreciation of the folk arts of Mexico
- Develop problem solving skills in designing an animal - and
constructing armature
- Develop skills in paper mache and painting
- Use pattern to enhance the surface
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Materials:
Wire,
wire cutters, masking tape, aluminum foil, newspapers, masking
tape, brown paper
toweling, wheat paste,
paper pulp, Elmer’s glue, acrylic paint, brushes, paint
markers, Scribble paints
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Instruction/Motivation:
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Present video: Oaxacan Woodcarving:
Innovation Meets Tradition (Crizmac video)
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Students learn more about Mexican art and folk
art via the Internet http://www.princetonol.com/groups/iad/lessons/middle/mexico.htm
See Getty ArtsEdNet Looking and Learning: Animals
in Art: Imagination. Miguel Linares Lion Scorpion Alebrije (no
longer online)
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Show PowerPoint of Oaxacan animals - and
discuss actual examples (Decker collection). A variety of teacher made
prints are displayed from various sources.
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Demonstrate making a wire armature - padding
with newspapers to round out form.
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Demonstrate paper mache technique
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Demonstrate/review painting and various
patterns.
Assignment:
Select
any animal of your choosing – or design you own Alebrijes (imaginary
animal). You may make an
imaginary animal, as many of the carvings of Oaxaca are mythical
creatures. Keeping with our
"Story-teller" theme, write a short story about how your animal
obtained a certain characteristic. Have
your story have a moral message (build personal character--tell about
human virtues-- such as sharing, working together, helping others, doing
your best, etc)
1.
Make a wire armature (this is like a skeleton) for your sculpture.
One wire down center of body, two wires bent for legs.
See examples
(Note:
I had a lot of different armatures started so students could see how to
make them. Use one long wire down for the spine which also forms start of
head and tail and attach wires for the legs. One style served as a basic
armature for monkeys, cats, dogs, tigers etc. I had lizard samples too--and
had samples that showed how to add wings etc. Twist wires around long
enough for the legs and tape in place with masking tape.) Maximum size
for my students was 9" x 18"x 10" (lizard above was larger
- about 12" across - I made exceptions. Tails could also curl for
longer lizards). I used sculpture wire from
Dick Blick
(comes in a roll - gauge size was not listed, but it was less than 1/8
inch thick - and very easy to bend). Each student cut off a peace long enough to go from the head to tail. It depends on the animal.
Note: They needed 2 wire pieces for the legs (if animal had four legs) - longer
than twice the length of leg. Those pieces had to be long enough to loop around the "back bone" wire. Length depended on how long the legs were to be. The legs wires are taped onto the back bone wire. My students cut their own wire off. Once the wire was taped - they started rounding out
body with wads of newspaper. I set a tray of supplies at each table that had rolls of masking tape, aluminum foil and pliers. Each table had a stack of newspapers. I did supervise most of the wire cutting at the start. Students brought their sketch with them to cut the wire.
2.
Pad wire with crumpled newspaper.
Tape in place. Smooth
over with aluminum foil.
Use pieces of foil to thicken legs - add ears, tails, etc.
3.
Paper
maché with small pieces of brown paper toweling. Paper
mache is another craft of Mexico--and of Oaxaca.
4.
Apply a second coat of paper
mache--allow to dry. Elmer's
glue may be mixed in with wheat paste to give harder
finish. Eyes and other features may be built up with paper
pulp. Work on your
story while paper
mache is drying. Make
an illustration of your animal (use the colors and patterns of your
illustration for you painting plan).
5.
Paint a base coat of acrylic paint--using
any of the base coats provided.
Allow to dry
6.
Embellish with pattern--You may use puffy paints and paint markers.
7.
Finish your story and illustrate it with watercolor markers and/or
colored pencils
NOTE:
These can also be done with plaster gauze - and finished with tissue paper
applied with Mod-Podge. Michele O'Brien does this
lesson with high school students. They use plaster gauze then smooth on plaster. Once
dry, they sand very smooth - and paint with acrylics. Finished work looks much like wood
examples from Mexico.
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