Submitted by: Caroline
Gardner (while student teaching under Deanna Kelly,
Sauganash School, Chicago IL)
Unit: Drawing - Self Portrait - Symbolism
Lesson: Split face self-portrait
Grade Level: Middle School
Time: approximately 4 forty minute periods

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I.
Learning Objectives (in outcome-based format)
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Art
Production:
Students will draw half a realistic
self-portrait by looking in a mirror and drawing what they
see and from learning about how the human face
proportions.
Students will draw the other side of
their self-portrait abstractly by drawing who they think
they are not what they look like, using symbols, shapes,
and objects.
Students will make a portrait that
shows technical skills using the pencils, color, shading,
value and composition by learning about each term and how
they look in a work of art.
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Art
History:
Students will have prior knowledge
of historical self-portraits and why artists make them by
doing a token response to some historical self-portraits.
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Art
Criticism:
Students will be able to name 3
strengths and 2 areas to work on of a classmate's work by
participate in an art critique.
They will explain why they created
their portrait as they did by writing an artist statement.
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Aesthetics:
Students will formulate
opinions about if art has to be made for others or can it
be made for oneself and does that take away from its value
or beauty by have a class discussion.
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II.
Overview of Lesson
(Main message)
Self-portraits
have been done by many artists. They are records of
where the artist has come from and who they were at the
time. They should age changing as well as
artistic styles developing. They are useful
tools to get to know the artist and trace their lives.
The students will make a self-portrait that is split down
the middle. One side is realistic and one side is
abstract showing who they are inside. It is
snap-shot in time that will show both what they look like
at the time and who they are, their interests, and
developmental abilities.
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III.
Art Concept(s)/Vocabulary:
abstraction, symbolism,
contour line, shading, cross-hatching, value, proportions,
Contour, line, highlights, composition, realistic
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Art making
Processes and Techniques: Sketch, layout, measure
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Art
Elements/Principles of Design:
Value, shape, line,
balance, proportion
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IV.
Illinois Learning Standards:
A.
Understand the sensory elements, organizational principles
and expressive qualities of the arts.
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25.A.3d Visual
Arts: Identify and describe the elements
of value, perspective and color schemes;
the principles of contrast, emphasis and unity; and
the expressive qualities of thematic development and
sequence.
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25.A.3e Visual Arts: Analyze how the
elements and principles can be organized to convey
meaning through a variety of media and technology.
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GOAL 26: Through creating and performing, understand
how works of art are produced.
A.
Understand processes and traditional tools and modern
technologies used in the arts.
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V.
Learning Experiences:
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Motivation:
Token
response art history game with self-portraits (Van Gogh,
Close…)
Discuss
each one, focus on their expression and possible
motivation for making a self-portrait
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Introduction:
We
are going to be drawing our own self-portraits!
Next
year you can look back at it and see how you were then and
what you liked.
We
are going to make a split face portrait, half will be
realistic (what you really look like) and half will be
abstract (not what you look like but showing what you
like, who you are).
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Instruction:
(Step-by-step)
Day
One:
1.
Explain that we have to train our brains to observe
because our verbal brain is usually dominant. Do
color/word test and show double images.
2.
Explain right brain/left brain issues with drawing.
3.
Do upside down drawing practice.
4.
Explain contour drawing, do blind contour of partners
face. Explain the purpose
Show
overhead about the proportions of the face.
Day
Two-Three:
1.
Show on the board the approximate shape of a head and how
much space it should take on the paper. Have them
draw a line down the middle with a ruler.
2.
Have them make a line across the middle with their rulers
to show where the eyes go.
3.
Show how an eye is not shaped (football) and show a better
eye, explain that all eyes are different shapes and they
need to look closely at theirs and draw what they
see. Start on the right side.
4.
Have them count how many eye lengths across their face is
by looking at the mirror and using their pencils.
(about 5) Have them mark out the eye lengths
on their paper lightly and then lightly draw their eye in
the right spot.
5.
Teach the nose next. Have them count how many eye
lengths down and nose is and how far out it goes by using
the eyes as a measuring stick. Show the parts
of the nose on the board.
6.
Teach the mouth once they start to get close to finishing
the nose. Show on the board how a typical one is
drawn showing where the dips and shadows are.
Have them draw the lines that show how far out the
mouth goes and how far below the nose.
7.
Add hair, eyebrows, explain eyelashes, and add shadows.
8.
Start abstract left side. Keep it looking like a
face but with favorite objects (basketball, cell phone),
use abstract shapes, can put things in unusual places
(eyes uneven). Show personality (happy,
energetic = zigzag lines, bold lines) (calm, reserved =
smooth, rounded shapes)
9.
Only if there is time add color only to abstract side.
Color lightly and smoothly!
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VI.
Modifications
(for special needs students)
Epilepsy-
for the student in the class with epilepsy the teacher
will only make lesson plan accommodations if they have a
seizure, blackout, or involuntary movement. If
they have to leave class due to the above, the teacher
will assign a student to take notes on anything they may
miss. To accommodate the involuntary movement that
might affect their art the teacher will have them work in
pencil so they can erase any mistake. This
lesson is very safe so there are few adaptations needed to
be made other than notes on what they might miss.
Non-verbal
Learning disability- The teacher will write directions in
simple one sentences as well as say them out loud. The
student does not have to share out loud during the
critique but can write simple sentences on paper and turn
that in. All steps in the portrait will be
explained in a step by step concrete format. The
abstract side of the portrait will be explained and
modified to be more concrete. The teacher will
explain it one on one with the child describing it as a
fun side that they can make look however they want.
If this is too vague for them to comprehend the teacher
will show a list of simple descriptive words to the
student and have them circle the word that they think is
like them. Then the teacher will show the
student what shapes and object will show those things.
See the guide at the end of the packet.
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VII.
Resources
(prints, etc.)
Overhead
color quiz
Overhead
double pictures
Print
our of historical Self-portraits
Cards
for token response
Overhead
of head proportions
Overhead of upside down drawing
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Materials:
Mirrors,
Drawing paper, Drawing pencils, Colored Pencils
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VIII.
Assessment (aligns with objectives, attach if necessary)
See
attached sheet.
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IX.
Rationale
(why is this important)
This
lesson is important because it combines language arts and
art in a unique way. The students are involved in
discussion about what is art and do books fall into that
idea. The teacher uses a discovery approach
where the teacher then shows art books and see how their
idea change. The teacher demonstrates the techniques
and the students observe and then try on their own.
Demonstration in art is very important for students'
success.
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Assessment:
Rubric
Split
face self-portrait
0-
Does not attempt
1-
Attempts to meet the requirement but is not successful
2-
Meets the requirements
3-
Exceeds the requirements
1.
Is half the face realistically drawn from the proportions
that were taught in class as well as a looking in the mirror?
_________
2.
Is the other half abstractly drawn showing personality
using color, shapes, objects, and line that represent themselves?
___________
3.Does
the work show color on the abstract side and is it well used?
________
4.
Are there a variety of value tones? _________
5.
Is the composition of the abstract side well arranged, does
it capture the eye? ________
6.
Has the student used shading to show shadows and highlights
in the correct places? ________
7.
Did the student participate in the discussion of the
historical self-portraits? __________
8.
Did the student participate in the critique and was he/she
able to name 3 strengths and 2 areas to work on of a classmate's
work in a helpful and appropriate manner? _________
9.
Did the student write a thoughtful artist statement that
shows the reasons behind what they drew? __________
10.
Did the student participate in the group discussion about
aesthetics? _______
Total
_________/30
Comments:
National Standards:
(will depend on class discussion and reflective writing)
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Understanding and applying media, techniques, and processes |
3.
Choosing and evaluating a range of subject matter, symbols,
and ideas |
5.
Reflecting upon and assessing the characteristics and merits
of their work and the work of others |
6.
Making connections between visual arts and other disciplines
(connect to language arts)
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Students
integrate visual, spatial, and temporal concepts with
content to communicate intended meaning in their artworks |
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| Students
intentionally take advantage of the qualities and
characteristics of art media, techniques, and processes to
enhance communication of their experiences and ideas |
Students
use subjects, themes, and symbols that demonstrate knowledge
of contexts, values, and aesthetics that communicate
intended meaning in artworks |
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Students
describe ways in which the principles and subject matter of
other disciplines taught in the school are interrelated with
the visual arts |
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Students
describe and compare a variety of individual responses to
their own artworks and to artworks from various eras and
cultures |
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[MIDDLE
SCHOOL ART LESSON PLANS] [ELEMENTARY
ART LESSONS] |