Submitted by: Marianne
Galyk
UNIT: Drawing - Values - Pencil Shading
Lesson: Shattered
Images Value Study
Grade Level: High School - adaptable to Middle School (Elementary
adaptation)
(Adapted
from a lesson by Ken Vieth in his book From
Ordinary to Extraordinary)


Click images for larger
views
Resources
Examples
of cubist works - also see lesson plan on Crayola
Portfolios series
|
Objectives/Goals
Understanding
of
- Values
- Repeated
patterns
- Grids
and enlargement
- Cubism
|
Materials
- 10 x16
white drawing paper (80 lb.)
- drawing
pencils and/or Ebony pencils
- transparency
grids
- magazines
|
Procedure
1.
Have students
select a subject and produce a contour line drawing. Limit
the size of this drawing to fit a 5 X 8 inch piece of paper.
Encourage students to choose a single object such as a car,
insect, person’s face, fish, etc. Subject could be taken
from a magazine photo.
2.
When student
has drawn their image, lay the transparency grid over the
image and demonstrate to the students how to enlarge their
image to 2x its original size using the grid method.
3.
At this time,
show the students examples of cubist works by Braque and
Picasso, and give background on the movement.
4.
After you have
given the students this information, have them figure out a
way to break up/divide their image in a linear way before
value is added. Give them examples of shattered glass, waves
of water, spiral of a seashell, or geometrical division of
shapes such as squares or triangles. These new lines will
overlap the enlarged drawing of their subject. This will
make their initial line drawing more visually complicated.
The effect is to create many more shapes, like a giant
puzzle.
5. Have
students create two value scales, one in divided
squares, and another which is graded evenly from black to
white.
6.
Have the
students experiment with filling the shapes in their image
with a range of black to grey. Have them look at each shape
and decide which area should start with the richest black
and which should be the lightest gray.
7.
Have students
fill the entire paper with values including both the
positive shapes and the negative background shapes.
8.
Class critique - relate finished work to cubist work
studied.
9.
Optional - have student do same composition in color. See
example.
Student Handout:
Shattered
Values Assignment
(
Adapted from a lesson by Ken Vieth in the book From
Ordinary to Extraordinary.)
1.
Select a
subject of which you can make a contour line drawing. Focus
on a single object, such as a car, insect, person or fish.
2.
Enlarge that
subject to fit 12 X18 inch paper using the grid method.
3.
“Shatter”
the subject in some way by breaking it up with lines or
shapes or patterns of some sort. These lines will overlap
your first drawing. (There are numerous methods you
could use…be creative. Think of various ways that lines
break up objects: shattered glass, wavy lines of water,
spiral lines as seen on a snail shell, geometrical divisions
of shapes.) The objective is to create more shapes in your
drawing, like a giant puzzle. (Look at examples of Cubism
for inspiration.)
4.
Create two value
scales on the worksheet with Ebony pencil. One will be
divided into separate grays in the boxes, and one will be a
blended value scale from black to white in the long box.
5.
In your
drawing, focus on each individual shape you have created,
and apply the entire range of value
(from black to light gray) in each shape. Proceed from shape
to shape, deciding which part should be the richest black
and which should be the lightest gray. Sometimes you may
want to alternate from one shape to the next. You may also
want to vary the direction of your shading inside your
object from that outside your object in order to emphasize
it.
6.
Fill the
entire paper with values, including positive
shapes of the object and negative
background shapes.
7. Critique your work.
Compare and contrast to cubist work studied.
Assessment
- Rubric:
|
Assessment Rubric
|
|
Student
Name:
Lesson:
Shattered Values - shading with pencils
|
Class
Period:
|
|
Circle
the number in
pencil that best shows how well you feel that you
completed that criterion for the assignment.
|
Excellent
|
Good
|
Average
|
Needs Improvement
|
Rate Yourself
|
Teacher’s Rating
|
|
Criteria
1
– Student chose an appropriate subject to draw and
successfully enlarged that drawing using the grid
method.
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria
2
– Student understands the concept of value in art,
and can use a pencil to express a full range of values
from black to light gray. Completed drawing shows that
range.
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria
3
– Student used creativity to “shatter” the
drawing in order to create new shapes over the
original. Filled these shapes with value in an
interesting way that enhanced the original subject.
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria
4
– Effort: took time to
develop idea & complete project? (Didn’t rush.)
Good use of class time?
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Criteria
5
– Craftsmanship – Neat, clean & complete? Skillful use of
the art tools & media?
|
10
|
9 – 8
|
7
|
6 or less
|
|
|
|
Total:
50
(possible
points)
|
Grade:
|
|
|
|
|
Your
Total
|
Teacher
Total
|
Student
Comments:
Teacher
Comments:
Student
Worksheet:
Name
___________________ Date ______Period ____
Value
1. Use
Ebony pencil to create 10 values going from black to white
with 8 grays in-between in the boxes below.
Value
Scale
Black
White
2. Use
Ebony pencil to create 10 values blending smoothly from black to white with 8 grays in-between
in the box below.
Blended
Value Scale
Black
White
National
Standards:
| 1.
Understanding and applying media, techniques, and
processes |
2.
Using knowledge of structures and functions |
4.
Understanding the visual arts in relation to history
and cultures |
5.
Reflecting upon and assessing the characteristics
and merits of their work and the work of others |
| Students
apply media, techniques, and processes with
sufficient skill, confidence, and sensitivity that
their intentions are carried out in their artworks |
Students
demonstrate the ability to form and defend judgments
about the characteristics and structures to
accomplish commercial, personal, communal, or other
purposes of art |
Students
differentiate among a variety of historical and
cultural contexts in terms of characteristics and
purposes of works of art |
Students
identify intentions of those creating artworks,
explore the implications of various purposes, and
justify their analyses of purposes in particular
works |
| |
Students
evaluate the effectiveness of artworks in terms of
organizational structures and functions |
Students
describe the function and explore the meaning of
specific art objects within varied cultures, times,
and places |
Students
describe meanings of artworks by analyzing how
specific works are created and how they relate to
historical and cultural contexts |
| |
Students
create artworks that use organizational principles
and functions to solve specific visual arts problems |
Students
analyze relationships of works of art to one another
in terms of history, aesthetics, and culture,
justifying conclusions made in the analysis and
using such conclusions to inform their own art
making |
Students
reflect analytically on various interpretations as a
means for understanding and evaluating works of
visual art |
Students trace their
hands 3 times, overlapping is fine. Then they draw 3-5
lines from one side of the paper to another, breaking up the
largest spaces. The students shade each space with colored
pencils. I encourage my students to figure out their
own 'rule' for shading - for example, darkest towards the
middle of the page or darkest towards the bottom. Then
they pick out a color group and shade! We start
this early in the year and keep it available to work on as
other projects are completed - instead of 'free art.' (from
post to Art Education list serve 9/1/05)