Submitted by: Barry Lucy, Ruidoso
High School, Ruidoso, NM
UNIT: Ceramics - Contrast - Combination of Techniques
Lesson: Developing Contrast through Clay Construction
Grade Level: High School (beginning ceramics through advanced)
Vertical Lesson Plan
in Clay
Title: Developing Contrast
through Clay Construction
Objective: The student will
combine forms made with different construction techniques in order to
create and enhance the element of contrast in clay compositions.
Activity: Creating contrast by
combining different construction methods in a clay composition.
Lesson:
Emerging: Coiled and Paddled
Organic Form with Slab Attachments. The student will begin with a simple
coiled open jar form. Before the jar reaches the leather-hard stage, the
student will paddle the exterior with a flat wooden instrument while at
the same time supporting from the inside with some round solid form. Hint:
If the form you use on the inside sticks to the walls of the pot, you may
have to wrap a cloth around it. The effect of this “paddle and anvil”
technique for altering the form will be a thin organic shape. Next, the
student will throw and roll out a slab from which to cut out and shape a
termination and similar foot. Textural treatments may be impressed to
either the jar form or the slab attachments to heighten the contrast
between the elements of the pot.
Proficient: Wheel-thrown or
press-molded form with free form attachments. The student will begin by
learning the rudiments of wheel-throwing, or if facilities do not permit,
then a similar form can be cut from a slab and press-molded into a bowl,
and using two such forms which have been allowed to set up, combine them
to achieve a thrown effect. This form could even be turned on its side to
create a flat bottle shape. Next, the student may experiment with a
variety of methods of tossing, turning and twisting slab tubes or fluted
shapes to allow the clay’s plasticity to create contrasting terminations
to be attached to the original wheel-thrown or press-molded form.
Advanced: Wheel-thrown or
hand-built Tea Pot with ceramic and non-ceramic or found embellishments.
With the functional aspects of a tea pot in mind, and with a Western or
non-Western historical influence as a point of connection, the student
will construct a functional tea pot, with attachments which should be
contrasting in texture either from an alternative method of construction,
or at the advanced level, even alternative materials, wood, metal, found
objects, etc.
Barry Lucy
Ruidoso High School
Ruidoso, NM
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