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Self Portrait Ideas - Name
Ideas
This page is just beginning!
Share your successful projects.
Send image and brief description of your project to Judy
Decker
Middle School - High
School Portrait Ideas
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Submitted by Tammy Morin, Lake Anne Elementary
Lesson: What do I Value? Values Self Portrait Painting

From Tammy:
One project that I have done for Power of
Words theme is
value self portraits. They created a painting using only black, white and
values of gray. They mixed the colors themselves. I also took pictures of
them, brought them into the computer and made them black and white so they
would have an easier time seeing the values. When the painting was
finished we talked about their personal values and what was important to
them. They then created a list to use for the painting. We cut the
paintings out and mounted them on black paper. They then painted their
"values" around the portrait.
From Judy: This lesson is good for
elementary through middle school (and up). I particularly liked the range
of styles of painting this project showed. I selected two very different
examples from the ones Tammy shared. Examples above are from 6th graders.
Submitted by Cathy Gaul - Clear Vinyl Window
Portraits

Photoshop
portrait
Clear vinyl window portrait
Cathy Gaul did an all school project to celebrate their
50th anniversary. Her project was to also tie in Character Education. Her
building has a long row of windows between buildings. She displayed clear
vinyl student portraits on the windows. She manipulated the student
photographs in Photoshop to get a good line drawing for the students to
follow. The photographs were printed out 5" x 7" with a one inch
border all around. She cut the vinyl 7" x 9". A roll of 12 gauge
clear vinyl had been donated to the school. Cathy finished up with clear
shower curtains when the vinyl ran out. Students taped the vinyl to the
print and did a line drawing in black permanent markers - then colored the
portrait and border. The clear vinyl sticks to the window if you wet the
window first - then roll on the portraits with a brayer. Be sure to put
the marker side facing towards you (not against the window). She also put
up drawings or party clip art and Character Education words in different
fonts and colors.
| Submitted by Laura - Glue
Relief Self Portraits
Materials:
Regular white glue (dries clear), black
paper, oil pastels or soft pastels, pencils, newsprint paper,
mirrors
Procedures:
Students draw self portrait from observation
using mirrors. Plan composition on newsprint paper then transfer
to black construction paper. Outline with white glue - focus on
patterns on clothing. Include a personal symbol that represents
self. Allow glue to dry. Color portrait with oil pastels or soft
pastels. Repeat colors of clothing in negative space for unity.
These make very expressive self portraits
and are always a success. |
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Submitted by Chris
Lincoln
Pillow Portraits
From Chris: 4th graders first drew with pencil
on muslin, then traced over with ultra thin Sharpies and finally colored
with watercolor pencils. They were asked to sew along the contour
shape of their portraits and then stuff.
Wire stands were made with from light weight coat
hangers. We untwisted them, cut them to a standard length - then wrapped
them around a round form and twisted the remaining length a few times and
bent the twisted ends upward and just popped the stuffed soft sculptures
onto them. |
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| Submitted
by Jan Hillmer - Personal Identity Shadow Boxes (Memory boxes)
Jan was very luck and had enough wood cigar
boxes donated to her school for this project. Those of you without that
treasure resource can make your own boxes from in expensive lathe strips
and luan board (1/4 inch thick plywood for flooring - cut to size). If you
are on a tight budget, use corrugated cardboard (see shadow
box lesson plan for how to).
These boxes include a self portrait drawn
on tea stained paper. The identity depicted in these was to be a character
in a play about New York City at the turn of the century (the drama
teacher wrote the play). Students could use their shaving cream marbled
paper if they wished. Many different materials were used for these
boxes.... from image sources provided by Jan to objects brought in by
students. Students did reflection writing for this project. See
Artist's Statement assignment.
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| Personal Identity in a
Box
You can purchase identical boxes for your students
to use. Sources can be found online. Boxes are available from Sax.
Children
Beyond Borders. VSA arts invited children with disabilities from
around the world to creatively reconfigure identical 4" square boxes
for display during the 2002 Cultural Olympiad held in Salt Lake City. The
result, 'Children Beyond Borders', is a collection of original boxes from
over 52 countries that expresses these young artist's ideas, dreams, and
visions. Inspired by the success of 'Women Beyond Borders', located at http://www.womenbeyondborders.org/
See work listed
by artist or by
location
For a clever display - hang boxes from a tree that
is supported in a bucket of plaster or concrete. See
installation ideas |

"About Me" by Travis Hall. Email was
sent September 2004 asking permission to use this image. No reply was
received. I will remove image if requested. Art teacher for this project
was Dianne Crumbacker. Travis was in her Life Skills class. Travis won the
state level for VSA.
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Submitted by Kathleen Arola
Self Esteem Through Self Portraits and 6-Trait Poetry Writing
They were done by fifth graders, with acrylics on canvas and sponge
painting in the background. It was part of a "Self Esteem
Through Self Portraits and 6-Trait Poetry Writing" grant that I
received. Here is what we did:
1. colored blank puzzles with words and pictures expressing each
student
2. painted self portraits
3. wrote various poetry about themselves
4. collaged the poetry in hand bound accordion/concertina style
books
5. displayed the end results at our school's Fine Arts Night
Books shown below
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About Me PowerPoint
Submitted by Kathleen Arola
The students (2nd - 6th grade) took digital photos of themselves on the
first day of summer school. (They created word art documents with
them.) Then during the last couple of days of summer school, I had
everyone create Power Point presentations about their favorite things.
Students had the option of inserting their photo from the
first day.
Here's the exciting part that I want to share - I took digital photos of
students as they shared their presentations. The most interesting
pictures were those of the students (taken in the dark,
without a flash) standing in front of their huge picture of themselves on
the screen.
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Submitted by: Jan Hillmer
Unit: Frida
Kahlo - "The Frame" - Painting
Lesson: Self Portrait - Retablo
Grade level: second on up
Jan had enough donated trophy backgrounds
(clear Plexiglas with some holographic 'rays') to use behind the self
portraits if she made them small and oval shaped (approx 3" x
5"). Ovals were cut from cardboard and covered with foil (If
using heavy duty foil - some tooling may be done with dull pencil) They
painted a small self portrait on them suing tempera paint mixed with
a touch of soap. Jan found that the tempera still flaked off and suggests
trying acrylic paint. This might be a good lesson to try mixing a
touch of gloss medium with your paint (even tempera - check to make sure
compatible) The students attached the self portrait to the front of the
trophy background. Jan discussed "The Frame"
(available in many different size prints - in many prices ranges) and connecting it to the retablo style art of Mexico as my art history
connection. Links page to come.
Adaptation: Try tooling foil backed by cardboard. Repousse frame around the portrait.
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Look
and Learn: Self-Portraiture with Pets Inspired by Frida Kahlo
Lesson by Alexandra Benton (on NY Learns)
Students will use a WebQuest to learn about
the Mexican artist Frida Kahlo's life and her self-portraits. Artists will
develop and create a self-portrait, which includes an animal with a
meaningful background. |
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Submitted by: Jan Hillmer
Unit: Pop Art - Portraits - Painting -Drawing
Lesson: Lichtenstein style self portraits
Grade level: Third on up
This project can be done all in tempera (making dots with small
dowels)- or tempera and marker combined - or all in markers. It reinforces
the primary colors while teaching the students a little about the art of
Roy Lichtenstein and the Pop Art movement (Roy Lichtenstein (American Pop
Artist, 1923-1997 - More
links).
Students draw self portrait from observation. Hand held mirrors
provided. Show emotion. Divide the negative space in an interesting way.
Plan portions of the portrait to be in the Benday dot technique - some in
line -and other parts solid. Color or paint areas - focus on contrast,
balance, unity.
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Submitted by: Jeryl Hollingsworth
Unit: Art/Technology - Portrait -Painting
Lesson: Face in the Mirror - Watercolor
Jeryl got this idea from Susan on Long Island (Getty
TeacherArtExchange member) She did this unit for her exchange with a school in Japan. The
project brings to mind the "slice of life" woodblock prints from
the Edo period. Take digital photos of the students prior to this project
(make a uniform size). It may be helpful to provide a template for the
mirror (just to get size right).
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| Jeryl used Sharpies and watercolors but
any drawing material may be substituted. Glue digital photo in mirror. Try
Crayon for a Grandma
Layton influence. See Grandma
looking in mirror.
Susan on Long Island is "famous" on Getty TeacherArtExchange
for
her creative ideas. This is from one of her posts.
Part I: "The current lesson my 2nd grade is doing involves a
self-portrait and a hand mirror. Although it has a different twist, you
might be able to use it. The kids did self portraits of the BACK of
their heads, neck and shoulders. Next they created a hand mirror (designed
from paper), with shiny silver paper in middle. At this point, you can have them draw their self portrait
and glue onto hand mirror. I, however, took a picture of each
child's face with my digital camera, and glued it onto the paper mirror.
Now each child created an arm and hand holding the mirror. Glue that next
to the head so it looks like they are holding and looking into the mirror.
Part II of lesson: I showed them how to draw the inside of a room in
simple perspective. They did their bedrooms and used Van Gogh's
Bedroom at Arles as an inspiration. They glued their self portraits,
hand holding mirror and all, to this bedroom drawing then painted (in
water colors) background. They are really cool looking. Sounds complicated for 2nd grade, but it really
wasn't, and everyone was successful.
~ Susan on Long Island
From Judy: You might try simplifying - by having students draw the
portrait with outstretched hand holding mirror on quality drawing paper.
Then draw the bedroom around it - this will cut down on the amount of
cutting and gluing. Now I know why this reminded me of the Edo period
prints. Van Gogh was greatly inspired by Japanese prints and this came
across in his paintings of interiors.
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"Museums of I: All About Me"
Students of Mary Jane Hadley
Peter Max: Statue of Liberty
4th grade
The Statue of Liberty project was based on the art of Peter Max. They
drew a portrait of the Statue of Liberty on Xerox paper then I ran them
off on transparencies. They went over the drawings on transparencies with
a black Sharpie. Then they did an abstract painting to go behind the
transparency. Finally they created a patriotic frame with stripes and
stars. (Note: Students could even draw directly on end pieces of
laminating film that have been saved - lay their pencil drawing under it.
FREE Plexiglas could be used for older students)
Alternate: Students could draw a self portrait - or a portrait of a
family member.
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| Digital Self Portrait Transparency Overlay
(this works with Special Need students, too)
Materials:
Digital camera, photo editing software, printer, transparencies (for
printer OR photocopier), black permanent markers (in case touch up are
needed on photo), 9 x 12 watercolor paper (or heavy drawing paper - could
be cut to 8 1/2 x 11), watercolors (or tempera), brushes, water dishes,
any additional supplies you want for watercolor
techniques (salt, toothbrushes, Saran wrap).
- Introduce the Art of Peter Max and Andy Warhol.
- Introduce some non-objective - expressionistic art (pick some
favorites). Show some different styles of painting (Videos: I Can Fly
II and I Can Fly III are both good for styles of painting)
- Students play - literally - with paints on 8 1/2 by 11 paper (or 9 x
12)....Teach some experimental
watercolor techniques - anything goes....paint with any body part
that can hold a brush (hands - feet - mouth - strapped to the head -
whatever works. There will be no such thing as a bad painting. Just be
careful you don't end up with "mud". You might want to have
them limit to related colors for each painting . Do cool a colors
painting - do a warm colors painting. Select colors that have special
meaning to them - show emotions. They could do several different ones
(on 9 x 12 size paper). What kind of emotions are you expressing?
(Note student could work larger with painting - then select a portion
of it for the portrait overlay).
- Take digital photograph portraits during class - one at a time. Try
to have a strong light on one side for dramatic portraits... have them
show the emotions they were expressing in their paintings. (You might
even take a couple different photos of each student prior to this unit
- have them make a couple different expressions - then let them select
the photo/emotion for their digital portrait).
- Have student select photograph and favorite painting. Manipulate
photograph to high contrast black and white (how to's are on IAD
lesson plan for cut paper
portrait). It would be nice if students could see how this is
done. When I taught multi-handicapped, they liked going to the
computer lab.
- Print photographs on transparencies (right on printer) - OR make
transparency on photocopier - both ways will work (you can probably
get the photocopier transparencies from your school office supplies).
- Overlay the transparency photo over the painting. Blacken photograph
with permanent marker if it didn't come out dark enough ( I have never
done this personally so do not know what works best)
- Students make a border frame with cut paper (optional) or simply a
construction paper mat (cut opening slightly smaller than 8 1/2 x 11)-
OR mat finished work with a quality mat board. Optional: Make collage
a border of words around the photograph on the mat. Choose words
expressing who they are.
Note: Older - more capable students could work larger and make their
own transparency using acetate and permanent markers - lay enlarged photo
under the acetate and trace - then fill in. You could go as large as
12" x 18" for those. For elementary, I would keep them 8 1/2 x
11. Alternate Idea - Self Portrait Idea using Mirrors
- Set up some 12" mirror tiles with cardboard easel back.
- Tape acetate transparency to mirror (cut to desired size)
- Draw portrait in permanent marker on acetate
- Use the drawing as an overlay over the non-objective painting.
NOTE: This idea was inspired by Linda Kieling's student self portrait
practice drawings drawn right onto mirrors with overhead markers. |
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Submitted by: Mary Jane Hadley
Self Portrait Ceramic Plates
3rd Grade
The clay plates identified them with their classmates. First they all
made a clay stamp of the bottom of their shoe. These were fired in the
kiln. Their portrait was drawn on a styrofoam plate. You know the
procedure. This plate was transfered to the center of the plate by rolling
on top of it with a printing rolloe. The "fossil" stamps of
their footprints wer shared amongst their classmates to decorate the
frame. I rolled newspaper and made a coil that was about taped together
into an owal. The clay slab was layed in the center to dry in a bowl
shape.
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Submitted by: Mary Jane Hadley
Bobble Head Self Portrait Dolls
4th grade
The dolls were "bobble head dolls"! They were their self-portraits.
We used 2 Huggie drink bottles. We needed 400 bottles for this project!
The body was a bottle. The head was a bottle which I cut about an inch
from the top. Both were paper mached with paper towels and Ross paper
mache paste. Before paper mached the body, we wrapped the top lip with a
doubled (for strength) twisted pipe cleaners. The pipe cleaner (or I guess
chenille stems would be politically correct) was snaked down and then up
out of the bottle. The other end of the pipe cleaner poked into a Styrofoam
ball, on which the head rested. I had a handout that I made for them to
design the front, back, and both sides of their doll. This was interesting
because it made them think of all four side on a 2-d piece of paper. Many
of them wanted to draw everything on the front and didn't exactly know
what to do with the sides. Then we drew in pencil on the paper mache. They
were colored with colorific gel markers!
See Lesson Plan |
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Submitted by Linda Woods
Self Portraits -2nd Grade
"Me Holding A Favorite Thing"
For the self-portraits, kids worked with mirrors.
We started with the eyes and discussed details to the nth degree. We
measured the whole face proportionally from the eyes. We went
through the face together feature by feature. Kids who finished a
feature early flipped their page over and practiced more on the back while
waiting for others
to catch up. Proportion was discussed for each features, as well as
head size, shoulder width, arm and hand length. A few kids aren't
"there"
yet, but I was really pleased that most of them really seemed to enjoy
learning about proportion. |
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Submitted by Tammy Willis
Where have you come from , Where are you
going? What's in your head?
From Tammy: I first talked to them about the parts of the brain, how it stores
memories, smells, etc. I then ask them if we could look inside your brain
what would it tells us, what would we see? What things are stored inside
your brain that would help us learn about you? What things do you have
planned for your
future, where do you want to go?
I don't talk long and ask them to think a bit about what their drawings
will be about.
You could also do the same idea but have them draw their hand and part of
the arm. Trace it and on the inside have the things they achieved and the
things they are reaching for. |
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Submitted by Jeryl Hollingsworth
What is in Your Head? Who am I Collage?
From Jeryl: I got the idea from the NAEA conference
- presentation "The Magic of Self-Portraiture" by Lauren
Parmelee Murphy. Lauren did a whole group of self portrait ideas. One was to do
silhouettes of the students and let them fill in their head with a
magazine collage of what is going in their brain.
I traced their heads on black paper (using overhead
projector), they cut it out, paper clipped it to white paper, traced the
head shape. Then filled in the head shape with magazine images, then glued
the negative black outside piece back on. They had a writing assignment to
do after they finished. |
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Another idea which I'm going to use next year with my
3rd graders earlier in the year is to let them draw gears and machines
inside their head because our 3rd grade does simple machines in science in
the fall. Note from Judy: I did this lesson with third grade too in
1987. Students loved it! |
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Submitted by Cynthia Gaub, Virtual
Classroom
Collage
Personality Hand:
- Draw a
picture of your own hand, by tracing or contour drawing.
- Pick out
pictures from magazines or your own photos that show YOUR personality.
- FILL the entire
SHEET with images around your hand, ALL white space must be filled.
Lesson
adaptable elementary thru middle school.
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Submitted by Judy Decker
Self Portraits over time - for K-5 Art Teachers
Preparation: Collect a number of self portraits from various
artists (Rembrandt, Picasso, Matisse, Van Gogh are just a few who made many
self portraits). Collect portraits that show aging and changes over time.
Make a PowerPoint - and have some portraits on display in the classroom.
Materials: 9 x 12 drawing paper, pencils, erasers, choice of
drawing materials (markers, crayons, colored pencils - watercolors if
desired) small hand mirrors.
This idea was sparked by a Getty TeacherArtExchange post made by Susan of
Long Island. Self portraits would be drawn each year
starting in Kindergarten or first grade. These could be done at the start
of the year to use as a skill assessment - or at the end of the year to
show growth. Each
year, students carefully draw their portraits on 9 x 12 paper to the best
of their ability (with little instruction from the teacher - a portrait
unit could be done later in the year going more in depth). Use your choice
of drawing materials. Portraits are kept in a portfolio for each student
and given back at the end of fifth grade. Reflection on the portraits
would occur during fifth grade when the PowerPoint with portraits over
time would be shown and discussed with students. At the end of fifth
grade, students write about the changes that have occurred and their
feelings. Mount the portraits and student writing for display at
graduation - give to parents. This is a real parent pleaser.
Here is Susan's "Progressive Portraits"
- and idea she borrowed from a co-worker:
At the end of each school year every student gets a
mirror and supplies to draw/paint a self-portrait on 9x12 paper, that
they sign and date. Sometimes they will draw their interests
in the background. I keep a manila file for all the kids, by grade
level, with their name on the file. For 460 kids, it only takes up
one file drawer. Anyway, at the end of elementary school, each
student has 6 self-portraits which we mount together, accordion-style, and
display at graduation. The kids don't get to see all of them until the
end of 5th grade. They reflect on their growth, what the
portraits make them remember, and they write a reflection that
is included with the portraits. If the reflection is too personal
to share, I let the students put it in a sealed envelope, attach it the
the portraits, with a message "Open when I'm 18". We
talk about how growing up changes our perspective - very therapeutic! The
display and the process has become the highlight of 5th grade
graduation, and it certainly puts the spotlight on ART!
Animal Morph Portraits - from Marybeth
Bortzfield
I have a lesson my 5th graders really liked;
A self-portrait that was one half human and then morphed into the
animal that best illustrates their personality. On the back they
needed to list 3 adjectives that explained their personality and how
that animal represented it best. As they worked I moved around and
talked with the students individually and I learned a whole lot about
them and how they felt about themselves.
Wire Self Portraits - from Larry Seiler
Materials: A spool of simple stovepipe wire (or
free telephone wire) and a number of needle nose pliers - mirrors -
pencils - drawing paper.
Using mirrors, students draw continuous line
simple drawing of their face, head and
hair shape, neck and collar on 12"x 18" paper, then measure
out in inches length of the line and cut the wire. Tape the
drawing down and students bend the wire to conform to the drawing.
American Master series Alexander Calder video is excellent in showing
how he worked with wire to do portraits of people. These turn out
a lot of fun, whimsical...
Simple...but at the same time has a great presence in exhibition...
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Other projects Mary Jane did on this theme.
4th:
Fauve self-portraits (tempera blocks)
Matisse self-portraits (cut paper)
Sketchbooks
3rd:
Picasso self portraits
Thing that make me go EEEE! based on Munch The Scream
Landscape paintings based on color field paintings of Peter Max
2nd:
Pictures based on Tar Beach, Faith Ringgold, things I would like to
own.
Clay picture frames with their picture in it.
Additional Lesson Plans
Personal
Symbols - Identity Portrait - by Theresa Parker
Students discuss the meaning of
identity, explore traditional, cultural, and invented symbols, study
portraits which use visual symbols, create a portrait which includes
symbols to express their identity, and write a short artist's statement
describing their work.
Who
am I?: Self Portraits in Art and Writing
This is an excellent lesson from the National Gallery of Art.
Description: "Students will look carefully at self-portraits in the
National Gallery of Art's collection by Vincent van Gogh,
Paul Gauguin, Judith Leyster, David
Alfaro Siqueiros, and Andy Warhol and respond to
questions online. They will also make a variety of self-portraits and
write poetry, a speech, and a letter about themselves—all to be placed
in their self-portrait portfolio."
MIDDLE SCHOOL
- HIGH SCHOOL PORTRAIT
IDEAS
Submitted by Lotte Petricone
Scratchboard self portrait from digital photograph
Dramatic lighting was used to create
striking photographs of the students. Using Photoshop, high
contrast images were created. Students explored a variety of
textures interpreting the image on scratchboard. Click images for
larger views. |
Submitted by Shannon McGraw
Contour Drawing to Cardboard Relief
Line to Shape with Whimsical Portraits
Student’s objective was to first
create a portrait of a fellow classmate using one, continuous
line, carefully observing in order to make them look like the
student. After, the portrait was translated into a cardboard piece
of art, much bigger using the element of shape. In painting the
piece, there had to be a definite focal point. Note: These could
be done as self portraits. Provide mirrors for the line drawings. |
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Submitted
by Shannon McGraw - Face Card Portrait
Objective:
8th graders were to create face cards that incorporated
a unique figure, while maintaining the look of a traditional face
card. Card had to have a point of symmetry - to be
able to be flipped seamlessly…They also had to demonstrate
various scales of patterns.
Motivation:
Make connections to Renaissance art. Show elaborate royal
costumes. Find examples of antique cards on line.
Materials:
Heavy drawing paper or poster board, pencils, permanent markers,
rulers, temper paint or acrylic (Shannon used acrylic) - or
markers could be used.
(click
image for larger view) |

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Submitted
by Lotte Petricone - Contour drawing - digital collage
The project began with a web quest exploring
self-portraits. The artists then drew a pencil self-portrait
from observation. The drawing was scanned into the computer
and in Adobe Photoshop combined with images that describe the
artist's life. Note: when using trademarked/copyrighted images,
students could write letters for permission. Permission will be
granted as they can not limit rights of expression. They can limit
the right to display the work publicly. Most trademark forms do
ask to see an example of the finished work. Teach a mini
lesson in trademark and copyright law. |
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Submitted by Linda Kieling - "All
Boxed In" - Identity Boxes
Being familiar with various
approaches to self portraits, students then explored symbolism in
art. Students created personal assemblages about themselves
selecting objects, images and papers to be representative both
symbolically and literally. When completed, artists working
in a similar fashion were shown (See Joseph
Cornell). Afterwards, a reflection
sheet (pdf) was completed by the student artist.
More
Examples on Linda's site. |
Submitted by Julie Sawyer
Lesson: Portraits with Stenciled Backgrounds
Here is a project
everyone loved. Going outside and using spray paint, stencil letters, cut
up strawberry containers and other textures, kids create a textured
background for a portrait they will draw (on good drawing paper) with
colored pencils and add this portrait on top of the background with 3D O's
creating a shadow. I think this idea came from a combination of
lessons from Getty list.
We take old mat board or watercolor paper if I can spare it, several
different colors of spray paint, usually silver, gold, black and red are
favorites. We go outside, lay down newspaper with rocks so they
don't blow away and arrange stencil letters, textures (pebbles, shells,
the plastic baskets that fruit comes in, skateboard wheels, torn paper,
etc. etc.) and spray through these. Some of my students are really
into graffiti, so this is a "hook" right away -- other kids
have never used spray paint and they are into trying something new.
Everyone loves being outside in September -- so it works for just about
every kid.
Lots of kids take off their fancy sneakers or Tims or wear plastic bags
over them -- I didn't realize this was an issue until I came to this
school when I warn them that the wind might carry the spray paint a
little and to have lots of room between them (only 5 kids outside at a
time -- my room has an outside door, luckily).
Once they have a background, graffiti-type wall, they have to draw a
person (head and shoulders so that there are no floating
"balloon" heads) with colored pencil using shading and lots of
practice with skin tone blending. They can draw from observation
of a friend, a photo or a magazine photo. Most kids use magazines
and draw someone they like (sports or music person usually).
These came out great last year, looked really contemporary, and hung up
at the Board of Ed for a month or so.
Those of you wanting a safer alternative to
spray paint can try watercolor in spray mist bottles - or toothbrush
spatter with stencils stencils, letters etc.
Submitted by Denise Pannell
Lesson: The Scream- Emotions
Denise developed a lesson plan based on Edvard Munch and
Expressionism. The students studied Munch's use of color and movement to
show expression. They then were to create a self-portrait, painted with
acrylic on canvas, that expressed an emotion. They were encouraged to use
additional items within
their compositions (words from magazines, photos, etc.) to add to the
feeling, as well as symbolism. They also looked at works by Van Gogh,
Bacon, and Serusier that showed emotion.
Submitted by Cathy Rode
Lesson: Mixed Media Acetate Portraits
Begin by placing a piece of acetate on top of a
mirror. Students trace their face (different expressions) onto the
acetate with a fine point marker. When finished, they paint a
simplified version of their portraits with acrylic paint on
the opposite side of the acetate. They must have an idea of form, light,
and shadow.
The next step is to find patterned backgrounds
from wrapping paper, origami, or colorful magazine pages. They match the
backgrounds to the portrait. They can even collage a background. The
portraits are small (up to 8x 10) and are finished off by folding black
cloth tape around the edges. I ask my students to make a series of these
portraits and then to matt them on one board. Some students have difficulty
tracing their faces from the mirror and can get frustrated so I tell
them to create a loose interpretation and that puts them to ease.
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Submitted by Mark
Anderson
Moveable Murals - Life size portrait cut-outs
Mark teaches at Raymore-Peculiar
Middle School in Missouri. This project began with digital
photographs of students. Each group selected the photo they wished
to enlarge onto corrugated cardboard. These are life size cut-outs.
The figures were filled in with colored papers from a variety of
sources (magazines, painted papers, newspapers - etc) - including
text. Some student groups chose to paint the facial features while
others chose to collage them Romare Bearden style (see
close up detail) More examples and in progress photos can be
seen in Exhibit
6 on Mark's site. See
Lesson Plan |
Cut
Paper Self Portrait
by Marvin Bartel ©2004

More
lessons from Marvin Bartel
If you try Marvin's lesson, please send in a student sample |
From Marvin's Getty TeacherArtExchange
post
(8/19/2004):
Goals and Actions in this lesson helps students to:
Practice self observation
Compose shapes, lines, and colors
Develop creative independent work habits
Change habits of work with many required variations, without showing
examples and without doing demonstrations
Practice choice making and assessment
Learn about an important art style (a way of seeing and expressing)
Learn art history, art criticism, and aesthetics
Learn to use drama to present art history |
Have you considered using the
grid on mirrors? This works for self
portraits if you hold one eye closed or use eye patches. Using
mirrors may help them gain observation drawing confidence and skill.
Mirrors can be marked off with strings or markers.
Marvin Bartel
This is another variation.
http://www.bartelart.com/arted/cutpaperself.htm#easier |
 |
Submitted by Ken Schwab
Portrait Abstracts
This was a project I did with a portrait unit. We used
color schemes and had a fun time. The students created the
outline contours and then used geometric lines, shapes and
circles to get the design format. Using the original areas of
light and dark they created a pattern of colors that work through
the composition. By keeping the areas of dark and light the
same, they can still be seen as the portrait, or they can get
more abstracted. Student used tempera paint. Acrylics could also be
used. |
Submitted by Julie
Sawyer
"Portraits with Attitude"
High School
Julie had her students strike a pose that
expressed something about themselves - an "attitude".
Digital photographs were taken. The photographs were used to make
these near life size acrylic paintings on stretched canvases. Lesson
was a huge success.
This lesson could be adapted to middle school
using corrugated cardboard as "canvas". |
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 |
Submitted by Grace Hall
Expressive Portraits from Digital Photographs.
Digital photographs were taken of students.
The students posterized them - or use cut paper filter in Photoshop.
They experimented with various color combinations in Photoshop
before working on paintings.
Student drew portrait on large watercolor
paper then painting with watercolors - using bold colors for
highlights and shadows. Warm/cool color contrast was important. |
Submitted by: Patty Knott
UNIT: Identity - Self - Portrait
1. Play some "get to know you games"
not only teacher get to know student, but peer to peer, and student to self
2. Do some observational portraits from mirrors use lousy paper make it non-threatening
assess their skills determine what needs to taught proportion, etc. give them several opportunities to make the best
they can but keep from judging don't expect perfection
3. Take their best efforts and photo copy 5 times - Direct them to make 5 manipulations on the photo copy
then make 5 more copies
then 5 more
then 5 more
20 manipulations give them the freedom to do whatever but try to distinguish the difference between manipulation and decoration (
some will decorate 20 times instead of manipulate 20 times)
4. When they have 20 manipulations ( my best manipulation this year was a student who took her drawing and put chocolate,
pepperoni, and mustard on her photo copy and put it in the microwave) have them
display all the drawings in a grid --- Do a critique what
works what has potential
pull the best 3
5. Find objects of personal interest, find famous art works that appeal,
draw the objects determine what is in the famous works that appeals
- make connections
6. from the 3 best manipulations --- manipulate some more
7. take bits and pieces from the manipulations, from the objects,
from the famous works and create a composition that expresses
"self"
Allow for student choice ... the media, the format, the size, 2-d, 3-d, relief ... if it's a self portrait, those things should be
student choice. Right now I have 20 kids doing 20 different things from Photoshop to paintings to pencil drawings. My favorite so far
is a student who reduced his face to a "follow the numbers/ line
drawing" (remember those?) and combined it with some very 50's looking kinds
of advertising images and is developing a triptych. All his choices are
very 50's -- he doesn't understand the intuitive choices but is loving the freedom to choose. I also have another favorite that is
so Baroque... I always find this exercise as a great way to really know what my kids relate to and then be able to direct
their work to their strengths and interests. Choice is a lot of work for me. but gets the best results from the kids. When I tap
into what they respond to, it ultimately makes my job easier.
I have long ago let go of any lessons that requires all to respond
in the same fashion. Today, I had a a kid who just wasn't able to keep
up and make the choices. He was fiddling. "What art do you
like?" I asked. Much to my surprise he said, Japanese. "You mean that
cartoon
stuff?" I said. " No, he said, the traditional
stuff." So I pulled a book from my shelves on woodblock prints and his eyes opened wide
and I saw yes yes and within a half an hour he had his plan and it's
a WOW plan.
Anyone who recognizes my name knows that I am an advocate for
student generated ideas in art. I believe that the art teacher's best
function is as a facilitator of evoking and evolving what comes from
the student's head. We must use what we know to nurture what they
will develop. The future of art is not in repeating endlessly what
has been done, but in awakening the possibilities of where it can go. I
see so many new and exciting ways that observations can be made and
I see art ed sticking with, unwilling to give up, 500 year old
traditions...... The Renaissance was an incredible period of enlightenment but
I want to see a new Renaissance. I want to use where we have been quickly and get on to where we are going.
Where are we going?
There are no easy art lessons ...... don't ever forget what it is that made you choose art
and
give your kids the struggle it's the struggle that will give them the satisfaction.
One of my favorite things to show in class is a clip from "Sunday in
the Park with George" ...... art isn't easy.
Art is all about disrupting the formulas not following them find the ways to let them do what they think they want to do then find
the ways to make what they want to do follow the conventions that we
think they should be but also wonder about about how they bring new
formulas that maybe we don't get. Always think about what observation really means and you will make
new generations that observe.
Patty Knott
Submitted by Edna Patterson-Petty
Fill your head with
positive thoughts
This was a lesson
about building self esteem for young teenage mothers. It can be
done with any age. Each person was given a Styrofoam (wig) head.
They painted it a color of choice. They then had various magazines
where they cut out inspirational words and phrases, etc. or even
wrote short poems, and decoupaged them onto the head. The idea was
until they could physically fill their own heads with positive
thoughts they could use the Styrofoam head as a substitute.
Thereby placing it in a prominent place in their home or room as a
constant reminder of things they were striving for. The group
thoroughly enjoyed the process.
Submitted by Maggie White
Expressive Self Portraits
I've used Bunki
Kramers gridded self portraits with my high school students,
using Craypas or Nupastels (Bunki teaches at Los
Cerros Middle School). They were outstanding. I have
also combined the same idea with Ken Schwab's Cubism lesson.
Submitted by Judy Decker
Personal Shrine - Identity Box
A good end of year project would be
a "Personal Shrine"/Identity box/shadow box. You can
make the boxes from corrugated cardboard (or find a source for
cigar boxes). Cut a facade for box - and doors. Tape box
together. Tape surface of cardboard with wide masking tape (this
help prevent warping). Tape front and back side of doors to make
hinge (devise an interesting closure for box). Apply one layer of
paper mache - then paint or collage. Students could write about
themselves - print off copies - and collage that around box.
Students could make "treasures" from the air dry clay to
glue inside. See Peruvian Retablos for inspiration.
If you don't want to make boxes - each student
could bring in some kind of container to use (like an old lunch
box - tin - etc). These could be covered with a layer of paper
mache and collaged or painted.
Students make - or bring in - small objects
that tell something about themselves to put inside the
box/container.
Write a reflection about the
project.
How to make a
self-portrait
There are many different ways to make a self-portrait – it
doesn't have to be a traditional drawing or painting of your face.
What will your self-portrait say about you?
Making a self-portrait is a great way to express and explore your
identity. It's not about what your parents, friends, teachers,
brothers or sisters think you should be. It's about who you think
you are.
Ideas to get you started
Think of the things that make you
what you are:
- the clothes you wear and the way
you look
- the music you listen to and the
music you make
- the words you write and the
images you create
- what you've been through and how
you feel now
- where you live and where you
belong
- the things you love and the
things you hate
- your passions, politics and
beliefs
- your family and friends
- the things that make you laugh
and the things that make you cry
- the places you like and the
places you fear
- the people you admire and the
people you trust
- the messages you write and the
messages you receive
You might think that your bedroom,
your clothes, your diary or even some of your favorite objects,
photographs or documents say more about you than any mirror image
could describe.
In your self-portrait you need to be the real you.
Above information copied from Self
Portrait UK 14-19
See Student Gallery Self
Portrait UK 14-19 Who Art You? From Channel 4 - 4 Learning
|
Names - Lesson
Ideas (page in the works)

See Name Design Rubric by Kathleen
Arola |
Submitted by Marcia Lavery
Lincoln Junior High, Skokie, Illinois
Pattern Name Designs
The 6th grade Name Design drawings are a fun, first lesson of the
year. Marcia showed the students how to write their name in
bubble or block letters and then they fill in their names with any
kind of patterns (This student chose to use animal patterns).
The students then create a background for their drawing, but must
have their name show the most EMPHASIS (by making it the biggest,
placing it in the center, etc.). Patterns could tell something
about the students' personality.
Kathleen Arola liked the name design with animals patterns and
created a rubric. |
| From Maggie White: I did a name
design lesson similar to Marcia's that came out super! The
students had to make the letters touch the sides of the page, so a lot of negative/positive
spaces were created. They filled in the negative spaces with
different patterns, and left the letters blank. Cool and
unexpected reversal. The students were really into it. It was
especially interesting, with all-girl and all-boy classes, to
compare the boys' aesthetic sense with the girls.
From Denise Pannell: Second graders create abstract name
designs. Marker drawing using the letters in their names to form a
design and colored with marker
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