Grade
Level:
4th – 6th Grades
Time
Needed:
Two class periods (1 hour each)
Description:
Students will explore the characteristics of the sea turtle
and it’s environment. Texture,
color, balance and pattern are emphasized in these wonderfully
colorful sea turtle paintings.
Materials:
12
x 18 white construction paper (thicker paper is best)
Oil
Crayons
Erasers
Pencils
Watercolor
paint: blues
Water
cups
Paint
brushes
Newspaper
Optional:
salt
Preparation:
Class example completed, sea turtle photos, sea turtle books, Finding
Nemo ®PIXAR/Disney.
Vocabulary:
Sea Turtle, ocean, Australia, texture, resist, balance,
pattern, contour lines.
References:
Sea turtle, nature, National Geographic Society
publications/posters
Objectives:
Students will be able to…
- Describe
the characteristics of the sea turtle and it’s environment.
- Construct
a drawing of a sea turtle using the principles of texture, color,
balance and pattern.
Procedure:
- Begin
by discussing the different types of sea turtles using many visual
references. (An
excerpt from Finding Nemo that features the sea turtles
would also grab attention.)
- Discuss
the different characteristics of the sea turtles anatomy, head,
flippers, tail, and shell.
- We
are going to pretend that we are looking over the edge of a boat
in the ocean, looking down through the clear water to view a
swimming sea turtle. Using
the paper vertically, students begin by drawing an outline of a
large oval shell in pencil. Then
create an oval head at the top of the paper, two large front
flippers, two small rear flippers and a tail.
(Teacher may complete each step along with students on the
chalkboard)
- Next,
students create the pattern on their turtle shell by creating
contour lines both vertically and horizontally.
Discuss how artist use contour lines to make flat shapes on
their paper appear to be three-dimensional.
The vertical contour lines can be described to the students
as making the number “11” that bend outward in the middle.
The horizontal contour lines can be described to the
students as two frowns on top, and two smiles on the bottom.
This creates the shell design.
- Students
then take their white paper and crumple it into a ball, being
careful not to force or hit the paper ball, which would cause the
paper to rip. (Wrinkling
the paper creates creases that will accept more pigment of the
watercolor step, gives the illusion that light is refracting
through the ocean water.)
- Using
photo references, students will color their turtles only with oil
crayons. NO BLUE is
the only color limitation. (Blue
color will get “lost” when turtles are painted with blue
watercolor, students will need more than one reminder).
Emphasize the importance of pattern and variety.
White oil crayons will work well if they press very hard.
Students may mix colors on their papers.
Color the head, flipper and tail using shades of green,
white and brown. (I
allowed students to use non-traditional colors for the shells like
the ones used in the movie “Finding Nemo”.
- Next,
use the blue watercolor paints to paint over their entire
paper…turtle and all. Explain
that we have drawn our turtles under water; this means we have to
paint them under water, starting at the top and working our way
down the paper. (Basic
watercolor resist idea)
- Discuss
how water looks under the ocean or in a pool with sunlight passing
through the water. The
light reflects and refracts into these geometric stylized shapes
of dancing light. The
crumpling of the students paper, combined with the watercolor
painting technique, will give the sea turtles the appearance that
they are swimming under the sea.
As students are painting in their turtles, let them
experiment with sprinkling salt upon their wet works of art.
Evaluation
after the lesson:
Great success with every student, fun and engaging.
Be sure to use the heaviest white paper to decrease the chance
of ripping, after crumpling and painting the projects become quite
fragile. Students liked
creating both realistic turtle shell patterns, and using their
imagination for creative and unique patterns.
Wonderful tie in with the student’s ocean life sciences
curriculum. SEE DISPLAY OF STUDENT
WORK
Resources:
(to come)
Ron
G Steven - paintings
of
the underwater critters from the thousands of exceptional dives he has
experienced world wide, but primarily on the Great Barrier Reef, Coral
Sea, Papua New Guinea, Caribbean, Tahiti, Mexico and the colder waters
of the west coast of Canada.
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