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Submitted by Mary
Lathron
Lesson: Abstract/Non-Objective Painting - Stuart Davis (Art
with Text)
First grade students created a simple
abstract/non-objective painting using geometric and organic
shapes (one student had an abstract birthday cake with
candles). Color pallet was kept simple (using mainly primary
colors).
Students brainstormed a list of words
that were important to them. Each table had a recorder and a
speaker. The recorder wrote down the words (pick your best
spellers for this) and the speaker read the list to the
class.
The teacher prints off the words and
places the words at each table for the next session. Students
select the words they want - cut them out and glue to the
painting. For technology integration, have students type up
words and print them.
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Submitted by Lin
Altman, Cedar
Creek Elementary
Lesson: Radiating Design - Art-Math
This was a 5th grade lesson relating to
math concepts of concentric circles and radial design.
Students selected a limited color pallet - using contrasting
colors for each radiating design. Design is started with a dot
then dots added around to make a circle. Students need
to decide which circles will be in front and complete those
first.
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Submitted
by Anne-Claire
Lesson: Sand Textured Paint
This is a lesson I did with kids from 6 to 10, and it has
worked every time. They asked to did it several times. I call
it "feeling just like a painter" because I invented
it with that objective in mind: make them experience the
sensations of being a painter.
Material:
- leftover of mat boards (you can ask
in framing shops) or rectangular
pieces of cardboard (recycled corrugated cardboard will
do)
- sturdy flat brushes
- liquid poster paint, tempera or
gouache (has to be liquid)
- fine sand
- small containers for paint
(Note: the kids use only the primary
colors plus white. I almost never give them black, unless the
project requires it, because they will tend to draw in black
and then color inside the lines. )
How to:
- Mix sand into the paint, enough sand
so it will be quite thick but still creamy... Now that's
why they need sturdy brushes: the sand tends to
"eat" the brushes..
- Explain to the kids that they must
mix the colors on their painting, while the paint is still
wet , just like true painters might do...
- Give each kid a mat or a cardboard
rectangle (bigger then A4 if possible) and let them paint
away!
Let them explore the medium. Explain
that they need to mix the paint in the pot each time they put
the brush into it, because the sand tends to go to the
bottom...
They have to paint all the area of their painting, they cannot
leave any area unpainted. Some kids didn't feel comfortable
painting without drawing first, so I let the draw a
little with a pencil and then paint. But explain that they
have to draw big, because the brushes are big.
Submitted by Denise Pannell, Defiance
Lesson: Impasto Painting - Van Gogh Sunflowers "Pudding" Paint - for Impasto
- from the book "Art Fun!" by Kim Solga
Mix 5 cups water, 2 cups white flour, 1/2 cup sugar, and 3 Tablespoons salt.
Pour into saucepan and cook over medium heat until thick and bubbling (about 7 minutes) Cool well. This can be stored in the refrigerator in covered
containers for several weeks. Spoon cooled "pudding" into containers and mix with 1/8 to 1/4 cup powdered or liquid tempera paint.
Use a craft stick or palette knife to apply. Use heavy tagboard or cardboard, as it will curl.
Maybe try on corrugated cardboard (recycled) for extra strength.
Submitted
by MaryAnn Kohl
Egg Tempera with Chalk Powder
Giotto di Bondone/Egg Paint - from Discovering Great
Artists by MaryAnn Kohl
Giotto's
(ZHEE-O-TO) paints were made from egg yolks mixed with
clay, minerals, berries, or even ground insects to make
colored pigments.
Giotto
di Bondone - When Giotto was a young boy tending sheep in
the mountains of northern Italy, he drew pictures to help pass
the time. A traveling artist discovered Giotto's drawings and
offered him an apprenticeship. There Giotto learned how to
make paintbrushes and art tools, which minerals could be used
to create different colors of paint, and worked on drawings
and small parts of paintings. Eventually Giotto left to find
work on his own. He became the chief master of cathedral
building and public art in Florence, Italy. Giotto is best
known for painting people who appeared three-dimensional
rather than flat.
Many paintings of Giotto's time were made with egg tempera
paint on special panels of wood. There were no art stores, so
each artist had to make paint by grinding minerals, clay,
berries, or even insects into fine powder and mixing this
pigment with egg yolk and water. Egg tempera makes a thin,
fast drying coat of bright color. The paint is very strong and
long lasting. Giotto's beautiful egg tempera paintings are
over 700 years old!
Young artists explore Giotto's technique of painting with egg
tempera with a homemade recipe made with crushed chalk or
powdered tempera
Materials
- colored
chalk (bright pastel chalk works best) - or powdered
tempera
- muffin
tin, plastic egg carton, or paint palette for mixing
- egg
and some water
- spoon
and a fork
- old
bowl
- round
rock
- paintbrush
and paper
Process
- Break
off small pieces of colored chalk and grind them into
powder in an old bowl with a round rock. NOTE: Avoid
breathing the chalk powder. OR use powdered tempera
- Put
the colored powders into the cups of a muffin tin, egg
carton or paint palette.
- Crack
the egg and separate the yellow yoke from the clear egg
white.
- Put
the yolk in a clean bowl and mix it with 2 teaspoons of
water. Whip it with a fork until the mixture is froth
yellow.
- Add
spoons of egg-water to the powdered chalk and stir with a
paintbrush until you make a smooth, runny paint.
- Now
use the egg tempera paint to make a painting!
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Submitted by Kelli
Wilkie, Crete
Middle School
Lesson: Symmetrical Non-Objective Painting
Materials: 12" x 18" white paper
12" x 18" newsprint
markers or pens
Tempera paint, brushes
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An idea that the students always love is a
symmetrical painting using tempera. Cut the 12 x 18 sheets of
newsprint into strips 6" x 18" and have the students
create a design on them. (Combine curved line with straight
line/geometric shapes). My students are required to show me
3 before they can choose the best one. Trace the design with
marker or pen, then turn over the strip of paper and trace again
(you can usually see the lines through the newsprint). Place
the strip under 1/2 of the full sheet of white paper and trace the
design. Then flip the strip of newsprint like a page in a
book and trace on the other 1/2 of the white paper so the design
is symmetrical.
Once the design is on the paper, my students
paint the symmetrical design but they have to mix every color they
use. They cannot use pure color out of the bottle.
They love the results! And many ooooh and aaaaah over the
colors they create. Use color to create a center of interest.
I do these with my 7th graders but could
easily be adapted to other grade levels. See more examples
on my website: manila.esu6.org/kelliw
- click on 7th grade gallery, then symmetrical
paintings.
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Submitted by Ken Schwab,
Leigh High
Lesson: Pointillism - complementary
High School example - adaptable to lower grades.
Students use tempera to paint in
flat areas of color. Dots are painted over to add dimension and
shading. Complimentary pairs of colors are the lesson being used.
Ken's student used fruits and vegetables from life. Negative space
was painted with choice of colors.
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Submitted by Ken Schwab
Lesson: focus down value study
High school example - adaptable to lower grades
Students select an object or
objects for study. They focus on interesting parts of the
object/objects and create an abstracted composition. Sketches on
newsprint are combined and traced onto Rail Road board. The painting is
rendered a range of values - using all one color - all grays - or
gray scale with monochromatic color accent (or visa versa). Musical instruments were a popular
theme - along with bicycle parts. I liked this Ford theme.
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Submitted by Susie Swanson
Bayshore High School in Bradenton, FL
Powdered Tempera Lawn Painting
Last year at the Florida State Art Conference we went to a workshop
on lawn painting. The research for the best product that
wouldn't harm the lawn was done by the Florida State University
School. They found that tempera powder mixed with flour would
work. We collected everybody's extra tempera all year.
We had the staff and students bring in flour.
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The flour weighs the tempera down and extends it.
You can mix quite a bit of flour with the tempera without it
changing the color. You just have to experiment to get the right
mix.
Students drew pictures of our mascot, a bruin.
The best one was chosen, scanned, printed and gridded. The
math classes determined how much paint would be needed for each
square and laid out the grid on the lawn. (16x20feet).
Students were given 2 inch squares from the picture to paint into
the 2 foot squares on the lawn. We saved a square for the principal.
It even made the local paper.
The process took most of the school day.
The kids and all the teachers had a ball. It really brought
art into the spotlight and was perfect for a crazy homecoming week.
Lawn Painting Success from Ann Ayers
We did Lawn Painting last year
(Mona, The Scream, American Gothic) just before the students had to
choose classes for this school year. What a recruiting event!
We were outside working all day with our various classes, filling
the courtyard with art. Along with the lawn painting, we also had a
group of kids painting enlarged masterpieces on the sidewalk. It was
a wonderful day! The administration loved it because it was
integrating art with other subject areas and teaching the kids
proportion and graphing skills. We'll be doing it again, once each
semester, so that more kids get involved. To get the flour, last
year, we had each student bring in 2- 5lb bags. We had enough left
so that this year, each student only had to bring in one bag. Note
from Judy: Surplus flour can always be used for paper maché paste.
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Submitted by
Grace Hall, Bogalusa
High School
Lesson: Madhubani
Wall Paintings
High school example - adaptable to lower grades
Students studied art
of India. They were attracted to the Madhubani folk art
paintings. Women paint on walls and on handmade bark paper.
Grace's student worked in groups to paint large paintings on
roll paper. Younger students could work on the natural
brownish craft paper leaving the color of the paper showing in
areas. Another idea would be to paint on handmade paper (recycling
brown grocery bags - with some Abaca pulp added). An easier
lesson would be to paint on tan construction paper or brown
paper bags. |
| Students learned
about the Madhubani Painters of India. The Madhubani Painters
are women from the Mathil region of India. They originally
painted images of mythical gods on the walls of their homes as
a way to decorate for celebrations. One day a horrible drought
hit India and the people of Mathil were forced to find other
means of feeding the family. Some tourists who saw their
paintings on the walls suggested they start painting on paper,
and soon the paintings became very popular among tourists.
Today mothers teach their daughters to paint and they create
some of the most beautiful works of art that are handed down
from generation to generation. Grace required students
to create individual sketches in their sketch books. They were
to include the same characteristics as the Madhubani paintings
that we saw, such as use of a border pattern, a central
figure, and leaving very little open space. Since these
paintings are very large like murals, students work in groups
rather than create individual paintings. Each student
submitted his/her sketch to their group, and they decided
which one to actually paint. |
Tempera Paint Lesson
Plans
Egg
Tempera - Painting of the Renaissance lesson plan from Renaissance
Connection.
Egg
Tempera Painting: "Poor Man's Africa" - Middle school lesson
- appreciation of work of Ellis Wilson and Jacob Lawrence. About
the documentary Hans
Hoffman Lesson: Modern Art Styles PBS lesson good for high
school. Comparing works of Hans Hoffman, Red Groom, Stuart Davis and
Frank Stella. Claude
Monet Lesson - from Albright Knox This lesson can be used with
tempera - adaptable to many grade levels. Matisse
Interiors Painting - two part lesson using crayon resist then
tempera paint. sixth grade lesson adaptable to elementary. Matisse
resources
Tempera
Paint Impasto -
Vincent Van Gogh - mix with laundry starch and wheat paste Tempera
a la George Rouault - try this lesson with black India ink
outline or black acrylic outlines. More
Silicon Valley Art Museum Lessons Tints
and Shades - Pablo Picasso Use with image shown - or use
Blue Period and/or Rose periods. Optional: in Monochromatic color
plan. More
lessons from Silicon Valley Art Museum. Monoprint
with Tempera - Lesson on Incredible Art Department Chalk
Painting with White Tempera -Claude Monet - Lesson on Incredible
Art Department Tempera
Painting a la Andy Warhol - by Denise Pannell - elementary thru
middle school Tempera
Batik Lesson on Incredible Art Department Abstract
Letter Design - High school lesson for tempera or acrylics Abstract
Architecture Painting - High school lesson for tempera or
acrylic. Many
more lessons use tempera. Enter tempera lesson and level you want in
the Google search and see how many lessons come up for you. [ELEMENTARY
LESSONS] [MIDDLE
SCHOOL LESSONS] [HIGH
SCHOOL LESSONS] |