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ART AND MUSIC |
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Terminology: Connecting Concepts of Art and Music
This list of words comes from Art
Curriculum Guide Office of Education North American Division of
Seventh-day Adventists. Copied here without permission. File will be
removed at their request. Many of my own words have been added.
See
Essential Music Glossary
Music
Dictionary Basic
Elements of Music ArtLex Art Dictionary |
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ART
MUSIC |
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accent
an emphasis laid on a part of an artistic design
or composition.
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accent
a stress or emphasis on any given
musical
tone or chord.
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aesthetic
a philosophy dealing with the nature of
beauty, art and taste, and with the creation and appreciation
of beauty.
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aesthetic
a philosophy dealing with the nature of
beauty, art, and taste, and with the creation and
appreciation of beauty.
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arrangement
the ordering of the element of design
into a particular sequence, relationship, or
adjustment.
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arrangement
the adaptation of a composition for
a medium different from that for which it was originally
written.
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baroque
the style of art, architecture, and music of
the 17th and first half of the 18th
Centuries.
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baroque
the style of art, architecture, and music
of the 17th and first half of the 18th
Centuries.
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bi-tonal
the simultaneous use of two different hues
in an artwork.
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bi-tonal
the simultaneous use of two different keys
in different parts of the musical fabric.
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blend
colors in combination with water or colors;
i.e., pink and maroon. To combine two colors
so that a line of demarcation cannot be seen
between them.
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blend
a harmonizing of voices having similar qualities.
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cool
hues used to create a feeling of sadness or melancholy.
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blues music which gives a sad feeling. |
| chromatic any system of color. |
chromatic
the tones outside the diatonic scale which
are indicated by the se of accidental signs; opposite
of diatonic.
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classical
a musical style period characterized by
emotional restraint in which formal structure and
design play a predominant part; the term usually
refers to the period of Haydn and Mozart, the
second half of the 18th Century and
the early 19th
Century.
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classical
a musical style period characterized by
emotional restraint in which formal structure and
design play a predominant part; the term usually
refers to the period of Haydn and Mozart,
the second half of the 18th Century
and the
early 19th Century.
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collage - A picture or design created by adhering flat elements
such as paper, newspaper - found objects. Introduced by the cubists
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collage A technique drawn from
the visual arts whereby musical fragments from other compositions are
juxtaposed or overlapped within a new work. |
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color - Produced by light of various wavelengths,
and when light strikes and object and reflects back to the eyes. One of the
elements of art. Color has hue (color name), intensity and value. (See ArtLex
for a more complete definition)
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color:
Color ( or timbre - pronounced "TAM-ber")
includes all the aspects of a sound that do not have anything to do with
how high or low it is, how loud or soft, or how long or short. In other
words, if a flute plays a note, and then an oboe plays the same note, for
the same length of time, at the same loudness, you can still easily tell
the two notes apart, because a flute sounds different from an oboe. This
difference is the color of the sound. See Basic
Elements of Music |
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contrast - Difference between two things. There
can be contrast in value, color, pattern and texture.
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contrast Contrast of musical materials sustains our interest
and feeds our love of change; it provides variety to a form. |
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composition
the art of combining the parts of a work
to produce a harmonious whole.
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composition
a written piece of music.
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dissonance
a mingling of discordant hues, shapes
or symbols.
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dissonance
combination of unstable tones that require
resolution.
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dominant
the part of a design that is most important,
powerful, or has the most influence.
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dominant
name for the fifth degree of the scale;
a feature more important than any other part.
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| dot
a single mark. |
dot a dot placed above or below a note
indicates
that it is to be played staccato; a dot written
after a note lengthens the note by one half
its value.
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| embellishment
- decoration or ornamentation |
embellishment
Melodic decoration, either improvised or indicated
through ornamentation
signs in the music.
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exposition
setting forth of the meaning or purpose.
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exposition
the first part of the first movement of
a symphony, in which the musical ideas of the symphony
are presented.
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expression
combination of the elements and principles
of design/art to create feeling and meaning.
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expression
the use of all the nuances of tempo,
dynamics, phrasing, accent, touch, etc., by
which the combination and succession of sounds
is transformed into a vital interpretation of
a piece of music.
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flat
paint is used in purely two-dimensional technique,
with no highlighting or shadowing; color
with a dull surface; no gloss.
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flat
a symbol indicating that a tone is to be lowered
by a half step.
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form
shape: one of the elements of design/art (apart
from color, line, space, and texture, which is
involved with solid masses and shapes, or their representations.
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form
the aspect of music having to do with the structure
and design of a composition.
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| fragmentation
a separating of art elements. |
fragmentation having various
instruments play different
tones of a melody.
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| genre -
depiction of scenes from everyday life - ordinary folks (plural is
categories of subject matter - See ArtLex) |
genre General
term describing the standard category and overall character of a work. |
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harmony
a state of “visual rightness” and compatibility
between colors, or parts of a design,
or composition giving an effect of an aesthetically
pleasing whole.
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harmony
the simultaneous sounding of tones producing
a musical meaningful sound.
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| imitation
a repetition of an art component. |
imitation
the repetition of a melody or short phrase
by another voice or instrument.
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impression
originated in France about 1870 as a
reaction to academic realism, in which the painter
attempts to depict the effects of light as it is
reflected from objects; generally painted in outdoor
light. Impressionistic paintings have heavily
textured brush-strokes, blurred outline, pure
colors, and an absence of brown or black pigments.
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impression:
a style of music that depends
on color to convey an impression. improvisation:
that which is made up or improvised
as it is being performed.
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improvisation
that which is made up or improvised
as it is being performed.
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improvisation
that which is made up or improvised
as it is being performed.
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| key -
High Key are light values and low key are dark values. |
key Defines the
relationship of tones with a common center or tonic.
Also a lever on a keyboard or woodwind instrument. |
| medium |
medium Performing
forces employed in a certain musical work. |
| minimalist |
minimalist music
Contemporary musical style featuring the repetition of
short melodic, rhythmic and harmonic patterns with little variation. |
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mode Scale
or sequence of notes used as the basis for a composition; major and minor
are modes.
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| movement |
movement Complete,
self-contained part within a larger musical work. |
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nocturne
night piece; title for a work of art: “Nocturnes”
by James Whistler.
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| performance art Multimedia
art form involving visual as well as dramatic and musical elements. |
performance art Multimedia
art form involving visual as well as dramatic and musical elements. |
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pure
colors seen in the rainbow or when light passes
through a prism: red, orange, yellow, green,
blue, violet. Pure colors are not neutralized.
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pure
electronic music; music made of sounds generated
electronically.
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Renaissance
the transitional movement in Europe
between medieval and modern times beginning
in the 14th Century and lasting into
the 17th
Century. Rebirth of classical ideas in showing the human form.
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Renaissance
time in European history after the
Middle Ages; musicians of the Renaissance discovered
many new ways to use tones develop
musical styles. The period 1400-1600 A.D.
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rhythm
the recurrence of lines, color, or other elements
of art, giving a feeling of movement in a composition.
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rhythm
the organization of musical tones with regard
to their duration as distinct from their pitches.
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| scale |
scale A
series of tones or pitches in ascending or descending order. Scale tones
are often assigned numbers (1-8) or syllables (do-re-mi-fa-sol-la-ti-do). |
| sequence
a set of ordered elements. |
sequence the repetition of a short
melodic figure
or phrase at different pitch levels.
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| shape |
shape - Melodies can soar, swoop, plunge, or hop
around - this also closely parallels line or contour
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structure
the formal organization of a work of art.
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structure
the formal organization of a musical composition.
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| style |
style Characteristic
manner of presentation of musical elements (melody, rhythm, harmony,
dynamics, form, etc.)
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tension
a restless, unstable feeling caused by dissonant
colors.
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tension
a restless, unstable feeling caused by a dissonant
chord or chords.
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| texture the actual
or visual feel of a surface. |
texture the
thinness or thickness of a sound. The interweaving of melodic (horizontal)
and harmonic (vertical) elements in the musical fabric. |
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theme a subject or
topic in an artistic work. A theme may be concrete - such as a realistic
painting of a landscape - or abstract, such as a
painting using symbols of change.
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theme a series of
tones constituting a basic element in the construction of a musical
composition.
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tone the general
effect in painting produced by using light and dark colors.
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tone a sound with
a definite pitch, constituting the basic building material of music.
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| triangle |
triangle The triangle
is a slender rod of steel bent into a three-cornered shape and struck with
a steel beater; its sound is bright and tinkling in this march. |
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Twentieth Century the
modern period of art. |
Twentieth Century a
musical style period characterized by a novel practices such as
“atonality”. Stravinsky, Schonberg, Bartok and Hendemith were important composers.
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variation modification
or altered version of any visual component.
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variation a
modification or altered version of any given musical passage.
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variety an
assortment of lines , colors, forms, shapes, or textures in a work of art.
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variety provided
by contrasts in timbres.
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